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    Abstract

    Artiklen diskuterer Britisk mise-en-scene kritik over for cinematic poetics ved at gøre rede for, hvorledes de to perspektiver analyserer/fortolker kamerabevægelse
    Udgivelsesdato: Februar
    Original languageEnglish
    Journal16:9
    Issue30
    Number of pages9
    ISSN1603-5194
    Publication statusPublished - 2009

    Keywords

    • British mise-en-scene criticism, poetics of cinema, Ozu, Bonjour Tristesse, David Bordwell, John Gibbs, Douglas Pye, camera movement

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