Abstract
Observers agree that a pivotal factor in the abandonment of the Beach Boys’ Smile album in 1967 was the hostility shown by group members to some of Brian Wilson co-writer Van Dyke Parks’s lyrics. The latter still tend, however, to be cited more than they are analyzed. This reading of the song occasioning most friction – ‘Cabin Essence’ – argues that it was neither disorganized nor unintelligible. An encapsulation of Smile’s concerns informed by the new left and counter-cultural contexts of its creation, it offered critical snapshots of the nation’s historical experience and identity, and a complex vision of national redemption.
Original language | English |
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Journal | Popular Music & Society |
Volume | 38 |
Issue | 5 |
Pages (from-to) | 565–585 |
Number of pages | 21 |
ISSN | 0300-7766 |
DOIs | |
Publication status | Published - 2015 |
Keywords
- Van Dyke Parks, Smile, Brian Wilson, Beach Boys, Popular Music