TY - JOUR
T1 - Transductive Wind Music
T2 - Sharing the Danish Landscape with Wind Turbines
AU - Højlund, Marie
AU - Riis, Morten S.
PY - 2020/12
Y1 - 2020/12
N2 - In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.
AB - In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.
UR - http://www.scopus.com/inward/record.url?scp=85097306883&partnerID=8YFLogxK
U2 - 10.1162/lmj_a_01098
DO - 10.1162/lmj_a_01098
M3 - Journal article
SN - 0961-1215
VL - 30
SP - 90
EP - 94
JO - Leonardo Music Journal
JF - Leonardo Music Journal
ER -