Towards Gothic-influenced approaches to doctoral journeys and supervision: Challenging conformity, destruction and despair, releasing and shaping creative energies

Research output: Contribution to conferenceConference abstract for conferenceResearchpeer-review

This research based paper and session take a Gothic-influenced approach to reconsider current and ongoing issues of doctoral and supervisory ‘darkness’ (Bengtsen and Barnett , 2017, 2019; Wisker, Robinson and Bengtsen, 2016, 2017). We use the strategies of the Gothic first to expose both distress and complacency and then to encourage criticality and creativity through creative, imaginative responses (Wisker, 2014).

There is an ongoing and current focus on the dark, often isolated, confusing, messy doctoral journey which raises concerns about wellbeing and mental health, potential desolation, depression and lack of progress for both candidate and supervisor (Morris and Wisker 2011). This, we argue, is experienced in a neoliberal context of financial and time pressures on both candidates and supervisors, and increasing expectations of ‘usefulness’, which might lead to a merely un-creative, unchallenging functionality, or research and creative critical paralysis.

We address the underlying question of why we consider the Gothic in doctoral learning and supervision, and use a critical Gothic approach, sharing perceptions, expressions and strategies to first face, illuminate, challenge and then move on critically and creatively from the darkness of doctoral journeys and their supervision.
The Gothic here is being used as a theorised entrance in exploring the darker sides of the experiences of doctoral students and of role, practices and interactions of supervision, as a way of revealing those darker elements, through image, metaphor and narrative, and so starting the conversations about ways of challenging the destructive sides of darkness and bringing light. Contemporary Gothic can be used to identify and problematise characteristics which we see in the doctoral journey, in supervisory relationships and supervision processes, in different settings with different intentions. The aim of the Gothic is to unsettle, defamiliarise (Punter, 2012; Botting, 2002, 2014) then, we argue, to upset complacency on the one hand, ironise the establishment, unsettle fixed beliefs and processes, expose damage, reveal the instabilities beneath. It reveals dark secrets and hidden truths of behaviours and beliefs which contribute to our ways of acting, speaking, writing, constructing knowledge and imposing it on others. In doing so it enables us to more fully understand, problematise, critique, change behaviours and move on positively and creatively. In doctoral learning and interactions this insight enables agency, the taking of positive control of the learning journey, supervisory relations and construction (or co-construction) of knowledge.

Supervision and supervisor candidate interactions can be described as Gothic interactions in a Gothic space, as defined by liminality and potential for conceptual threshold crossings (Kiley and Wiske , 2009; Lather 1998) initial troublesomeness, reflections, actions informing breakthroughs in knowledge construction, criticality, creativity. Supervision itself is also is Gothic because it is haunted by the ambiguity of power, restlessly shifting, shuttling between supervision as enabling or denying epistemological access, and the dual option of either including or excluding doctoral students into disciplinary cultures and research environments. For supervisors there is insecurity about student development of knowledge, and darker considerations about how to build our own reputations (often on the back of others’ work).Through the lens of the Gothic we see the Doppelgänger nature of supervision. At the same time it can be an academic practice of support, faith, and moral behaviour but also a practice of theft, undercutting, and silencing. Doctoral study is understood through the lens of the Gothic beyond these interactions, and beyond issues of wellbeing because of the destabilisation, troublesomeness of knowledge contestation, the stuck places, where issues of paralysis can emerge but where movement forward is also desired and sought. In the context of positive interactions and developments , liminality is experienced, moving into new critical and creative understanding and knowledge construction. Challenge as engagement opens up the constructive, theorised, conversations about positively powerful, enabling, practices for both doctoral candidates and supervisors, and hence more conceptual critical and creative doctoral work (Kiley and Wisker, 2009). Doctoral learning and supervision as regulated or unregulated practice in universities, are rife with issues of and potential for contradictions, power imbalance, problematic ownership, the power of one voice over another, surveillance and neglect, undermining of rights and worth, of dismay, disorientation and theft.

We will share some of our established research (eg Wisker Robinson and Bengtsen, 2017) into the liminal space of doctoral learning and its supervision, using theories and strategies of the Gothic and offer risky examples of using creative art and writing to engage with challenging complacencies and despair and releasing creative constructive energies enabled by forming responses.
After a discussion sharing topical concerns, literature, and our established research, and a brief introduction to Gothic-influenced theories and strategies, participants will be invited to engage reflectively and creatively with short Gothic creative art and literary work (Robinson and Wisker, 2019) and to consider and construct perspectives and actions to support more illuminating, enriching, constructive doctoral and supervisory experiences for a variety of positive outcomes.
Original languageEnglish
Publication year21 Aug 2019
Number of pages3
Publication statusAccepted/In press - 21 Aug 2019
EventCreativity, Criticality and Conformity in Higher Education: Society for Research Into Higher Education Conference (SRHE) - Celtic Manor, Newport, United Kingdom
Duration: 11 Dec 201913 Dec 2019
https://www.srhe.ac.uk/conference2019/

Conference

ConferenceCreativity, Criticality and Conformity in Higher Education
LocationCeltic Manor
CountryUnited Kingdom
CityNewport
Period11/12/201913/12/2019
Internet address

See relations at Aarhus University Citationformats

ID: 162468920