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Syncopation affects free body-movement in musical groove

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Syncopation affects free body-movement in musical groove. / Witek, Maria A G; Popescu, Tudor; Clarke, Eric F; Hansen, Mads; Konvalinka, Ivana; Kringelbach, Morten L; Vuust, Peter.

In: Experimental Brain Research, Vol. 235, No. 4, 04.2017, p. 995-1005.

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperJournal articleResearchpeer-review

Harvard

Witek, MAG, Popescu, T, Clarke, EF, Hansen, M, Konvalinka, I, Kringelbach, ML & Vuust, P 2017, 'Syncopation affects free body-movement in musical groove', Experimental Brain Research, vol. 235, no. 4, pp. 995-1005. https://doi.org/10.1007/s00221-016-4855-6

APA

Witek, M. A. G., Popescu, T., Clarke, E. F., Hansen, M., Konvalinka, I., Kringelbach, M. L., & Vuust, P. (2017). Syncopation affects free body-movement in musical groove. Experimental Brain Research, 235(4), 995-1005. https://doi.org/10.1007/s00221-016-4855-6

CBE

Witek MAG, Popescu T, Clarke EF, Hansen M, Konvalinka I, Kringelbach ML, Vuust P. 2017. Syncopation affects free body-movement in musical groove. Experimental Brain Research. 235(4):995-1005. https://doi.org/10.1007/s00221-016-4855-6

MLA

Witek, Maria A G et al. "Syncopation affects free body-movement in musical groove". Experimental Brain Research. 2017, 235(4). 995-1005. https://doi.org/10.1007/s00221-016-4855-6

Vancouver

Witek MAG, Popescu T, Clarke EF, Hansen M, Konvalinka I, Kringelbach ML et al. Syncopation affects free body-movement in musical groove. Experimental Brain Research. 2017 Apr;235(4):995-1005. https://doi.org/10.1007/s00221-016-4855-6

Author

Witek, Maria A G ; Popescu, Tudor ; Clarke, Eric F ; Hansen, Mads ; Konvalinka, Ivana ; Kringelbach, Morten L ; Vuust, Peter. / Syncopation affects free body-movement in musical groove. In: Experimental Brain Research. 2017 ; Vol. 235, No. 4. pp. 995-1005.

Bibtex

@article{e1ada57399b14154b0b631f2d08bc51e,
title = "Syncopation affects free body-movement in musical groove",
abstract = "One of the most immediate and overt ways in which people respond to music is by moving their bodies to the beat. However, the extent to which the rhythmic complexity of groove-specifically its syncopation-contributes to how people spontaneously move to music is largely unexplored. Here, we measured free movements in hand and torso while participants listened to drum-breaks with various degrees of syncopation. We found that drum-breaks with medium degrees of syncopation were associated with the same amount of acceleration and synchronisation as low degrees of syncopation. Participants who enjoyed dancing made more complex movements than those who did not enjoy dancing. While for all participants hand movements accelerated more and were more complex, torso movements were more synchronised to the beat. Overall, movements were mostly synchronised to the main beat and half-beat level, depending on the body-part. We demonstrate that while people do not move or synchronise much to rhythms with high syncopation when dancing spontaneously to music, the relationship between rhythmic complexity and synchronisation is less linear than in simple finger-tapping studies.",
author = "Witek, {Maria A G} and Tudor Popescu and Clarke, {Eric F} and Mads Hansen and Ivana Konvalinka and Kringelbach, {Morten L} and Peter Vuust",
year = "2017",
month = apr,
doi = "10.1007/s00221-016-4855-6",
language = "English",
volume = "235",
pages = "995--1005",
journal = "Experimental Brain Research",
issn = "0014-4819",
publisher = "Springer",
number = "4",

}

RIS

TY - JOUR

T1 - Syncopation affects free body-movement in musical groove

AU - Witek, Maria A G

AU - Popescu, Tudor

AU - Clarke, Eric F

AU - Hansen, Mads

AU - Konvalinka, Ivana

AU - Kringelbach, Morten L

AU - Vuust, Peter

PY - 2017/4

Y1 - 2017/4

N2 - One of the most immediate and overt ways in which people respond to music is by moving their bodies to the beat. However, the extent to which the rhythmic complexity of groove-specifically its syncopation-contributes to how people spontaneously move to music is largely unexplored. Here, we measured free movements in hand and torso while participants listened to drum-breaks with various degrees of syncopation. We found that drum-breaks with medium degrees of syncopation were associated with the same amount of acceleration and synchronisation as low degrees of syncopation. Participants who enjoyed dancing made more complex movements than those who did not enjoy dancing. While for all participants hand movements accelerated more and were more complex, torso movements were more synchronised to the beat. Overall, movements were mostly synchronised to the main beat and half-beat level, depending on the body-part. We demonstrate that while people do not move or synchronise much to rhythms with high syncopation when dancing spontaneously to music, the relationship between rhythmic complexity and synchronisation is less linear than in simple finger-tapping studies.

AB - One of the most immediate and overt ways in which people respond to music is by moving their bodies to the beat. However, the extent to which the rhythmic complexity of groove-specifically its syncopation-contributes to how people spontaneously move to music is largely unexplored. Here, we measured free movements in hand and torso while participants listened to drum-breaks with various degrees of syncopation. We found that drum-breaks with medium degrees of syncopation were associated with the same amount of acceleration and synchronisation as low degrees of syncopation. Participants who enjoyed dancing made more complex movements than those who did not enjoy dancing. While for all participants hand movements accelerated more and were more complex, torso movements were more synchronised to the beat. Overall, movements were mostly synchronised to the main beat and half-beat level, depending on the body-part. We demonstrate that while people do not move or synchronise much to rhythms with high syncopation when dancing spontaneously to music, the relationship between rhythmic complexity and synchronisation is less linear than in simple finger-tapping studies.

U2 - 10.1007/s00221-016-4855-6

DO - 10.1007/s00221-016-4855-6

M3 - Journal article

C2 - 28028583

VL - 235

SP - 995

EP - 1005

JO - Experimental Brain Research

JF - Experimental Brain Research

SN - 0014-4819

IS - 4

ER -