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”Sound [signal] noise: significative effects in contemporary sonic art practices

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperJournal articleResearchpeer-review

Standard

”Sound [signal] noise: significative effects in contemporary sonic art practices. / Bjørnsten , Thomas.
In: Journal of Aesthetics & Culture, Vol. 4, 15.06.2012, p. 1-8.

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperJournal articleResearchpeer-review

Harvard

APA

CBE

Bjørnsten T. 2012. ”Sound [signal] noise: significative effects in contemporary sonic art practices. Journal of Aesthetics & Culture. 4:1-8.

MLA

Bjørnsten , Thomas. "”Sound [signal] noise: significative effects in contemporary sonic art practices". Journal of Aesthetics & Culture. 2012, 4. 1-8.

Vancouver

Bjørnsten T. ”Sound [signal] noise: significative effects in contemporary sonic art practices. Journal of Aesthetics & Culture. 2012 Jun 15;4:1-8.

Author

Bjørnsten , Thomas. / ”Sound [signal] noise : significative effects in contemporary sonic art practices. In: Journal of Aesthetics & Culture. 2012 ; Vol. 4. pp. 1-8.

Bibtex

@article{922ecc2576c44ed08c071d764c7f7417,
title = "”Sound [signal] noise: significative effects in contemporary sonic art practices",
abstract = "The article discusses the intricate relationship between sound and signification through notions of noise. The emergence of new fields of sonic artistic practices has generated several questions of how to approach sound as aesthetic form and material. During the past decade an increased attention has been paid to, for instance, a category such as {\textquoteleft}sound art{\textquoteright} together with an equally strengthened interest in phenomena and concepts that fall outside the accepted aesthetic procedures and constructions of what we traditionally would term as musical sound – a recurring example being {\textquoteleft}noise{\textquoteright}.",
keywords = "sound , signal, noise, sonic art practice, dub techno, sound art, virtual, materiality",
author = "Thomas Bj{\o}rnsten",
year = "2012",
month = jun,
day = "15",
language = "English",
volume = "4",
pages = "1--8",
journal = "Journal of Aesthetics & Culture",
issn = "2000-4214",
publisher = "Taylor & Francis ",

}

RIS

TY - JOUR

T1 - ”Sound [signal] noise

T2 - significative effects in contemporary sonic art practices

AU - Bjørnsten , Thomas

PY - 2012/6/15

Y1 - 2012/6/15

N2 - The article discusses the intricate relationship between sound and signification through notions of noise. The emergence of new fields of sonic artistic practices has generated several questions of how to approach sound as aesthetic form and material. During the past decade an increased attention has been paid to, for instance, a category such as ‘sound art’ together with an equally strengthened interest in phenomena and concepts that fall outside the accepted aesthetic procedures and constructions of what we traditionally would term as musical sound – a recurring example being ‘noise’.

AB - The article discusses the intricate relationship between sound and signification through notions of noise. The emergence of new fields of sonic artistic practices has generated several questions of how to approach sound as aesthetic form and material. During the past decade an increased attention has been paid to, for instance, a category such as ‘sound art’ together with an equally strengthened interest in phenomena and concepts that fall outside the accepted aesthetic procedures and constructions of what we traditionally would term as musical sound – a recurring example being ‘noise’.

KW - sound

KW - signal

KW - noise

KW - sonic art practice

KW - dub techno

KW - sound art

KW - virtual

KW - materiality

M3 - Journal article

VL - 4

SP - 1

EP - 8

JO - Journal of Aesthetics & Culture

JF - Journal of Aesthetics & Culture

SN - 2000-4214

ER -