Sophie Amalies billedvævede tapeter: En standsbevidst enkedronning med hang til nag og nostalgi

Ulrik Reindel

doi:10.7146/dragt.v18i22.147618

Sophie Amalies billedvævede tapeter: En standsbevidst enkedronning med hang til nag og nostalgi

School of Communication and Culture - Art History

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaper › Journal article › Research

Abstract

In the years 1666-72, a new pleasure palace, Sophie Amalienborg, was built in Copenhagen by Sophie Amalie of Braunschweig-Lüneburg (1628-85), queen consort of king Frederik III (ruled 1648-70). After the king’s death, the palace served as residence for the dowager queen. This article examines six tapestry series recorded in a probate inventory drawn up at the palace in 1685. Relying on additional archival studies, attempts are made to determine the provenance of the tapestries, describe their iconography, and chart their later fate. Furthermore, it is argued that a number of the tapestries may still be preserved.

Original language	Danish
Journal	Dragtjournalen
Volume	18
Issue	22
Pages (from-to)	47-65
ISSN	2596-4526
DOIs	https://doi.org/10.7146/dragt.v18i22.147618
Publication status	Published - 25 Jul 2024

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10.7146/dragt.v18i22.147618

https://tidsskrift.dk/Dragtjournalen/article/view/147618Licence: Unspecified

Cite this

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title = "Sophie Amalies billedv{\ae}vede tapeter: En standsbevidst enkedronning med hang til nag og nostalgi",

abstract = "In the years 1666-72, a new pleasure palace, Sophie Amalienborg, was built in Copenhagen by Sophie Amalie of Braunschweig-L{\"u}neburg (1628-85), queen consort of king Frederik III (ruled 1648-70). After the king{\textquoteright}s death, the palace served as residence for the dowager queen. This article examines six tapestry series recorded in a probate inventory drawn up at the palace in 1685. Relying on additional archival studies, attempts are made to determine the provenance of the tapestries, describe their iconography, and chart their later fate. Furthermore, it is argued that a number of the tapestries may still be preserved.",

keywords = "Tapeter, Gobeliner, Sofie Amalienborg, Ikonografi",

author = "Ulrik Reindel",

year = "2024",

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doi = "10.7146/dragt.v18i22.147618",

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publisher = "Det danske Dragt- og Tekstilnetv{\ae}rk",

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TY - JOUR

T1 - Sophie Amalies billedvævede tapeter

T2 - En standsbevidst enkedronning med hang til nag og nostalgi

AU - Reindel, Ulrik

PY - 2024/7/25

Y1 - 2024/7/25

N2 - In the years 1666-72, a new pleasure palace, Sophie Amalienborg, was built in Copenhagen by Sophie Amalie of Braunschweig-Lüneburg (1628-85), queen consort of king Frederik III (ruled 1648-70). After the king’s death, the palace served as residence for the dowager queen. This article examines six tapestry series recorded in a probate inventory drawn up at the palace in 1685. Relying on additional archival studies, attempts are made to determine the provenance of the tapestries, describe their iconography, and chart their later fate. Furthermore, it is argued that a number of the tapestries may still be preserved.

AB - In the years 1666-72, a new pleasure palace, Sophie Amalienborg, was built in Copenhagen by Sophie Amalie of Braunschweig-Lüneburg (1628-85), queen consort of king Frederik III (ruled 1648-70). After the king’s death, the palace served as residence for the dowager queen. This article examines six tapestry series recorded in a probate inventory drawn up at the palace in 1685. Relying on additional archival studies, attempts are made to determine the provenance of the tapestries, describe their iconography, and chart their later fate. Furthermore, it is argued that a number of the tapestries may still be preserved.

KW - Tapeter

KW - Gobeliner

KW - Sofie Amalienborg

KW - Ikonografi

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DO - 10.7146/dragt.v18i22.147618

M3 - Tidsskriftartikel

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JO - Dragtjournalen

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