Predictive Processes and the Peculiar Case of Music

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Standard

Predictive Processes and the Peculiar Case of Music. / Koelsch, Stefan; Vuust, Peter; Friston, Karl.

In: Trends in Cognitive Sciences, Vol. 23, No. 1, 01.2019, p. 63-77.

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperReviewResearchpeer-review

Harvard

Koelsch, S, Vuust, P & Friston, K 2019, 'Predictive Processes and the Peculiar Case of Music' Trends in Cognitive Sciences, vol. 23, no. 1, pp. 63-77. https://doi.org/10.1016/j.tics.2018.10.006

APA

Koelsch, S., Vuust, P., & Friston, K. (2019). Predictive Processes and the Peculiar Case of Music. Trends in Cognitive Sciences, 23(1), 63-77. https://doi.org/10.1016/j.tics.2018.10.006

CBE

Koelsch S, Vuust P, Friston K. 2019. Predictive Processes and the Peculiar Case of Music. Trends in Cognitive Sciences. 23(1):63-77. https://doi.org/10.1016/j.tics.2018.10.006

MLA

Koelsch, Stefan, Peter Vuust and Karl Friston. "Predictive Processes and the Peculiar Case of Music". Trends in Cognitive Sciences. 2019, 23(1). 63-77. https://doi.org/10.1016/j.tics.2018.10.006

Vancouver

Koelsch S, Vuust P, Friston K. Predictive Processes and the Peculiar Case of Music. Trends in Cognitive Sciences. 2019 Jan;23(1):63-77. https://doi.org/10.1016/j.tics.2018.10.006

Author

Koelsch, Stefan ; Vuust, Peter ; Friston, Karl. / Predictive Processes and the Peculiar Case of Music. In: Trends in Cognitive Sciences. 2019 ; Vol. 23, No. 1. pp. 63-77.

Bibtex

@article{86e7d120b890444f820e47a7f305706a,
title = "Predictive Processes and the Peculiar Case of Music",
abstract = "We suggest that music perception is an active act of listening, providing an irresistible epistemic offering. When listening to music we constantly generate plausible hypotheses about what could happen next, while actively attending to music resolves the ensuing uncertainty. Within the predictive coding framework, we present a novel formulation of precision filtering and attentional selection, which explains why some lower-level auditory, and even higher-level music-syntactic processes elicited by irregular events are relatively exempt from top-down predictive processes. We review findings providing unique evidence for the attentional selection of salient auditory features. This formulation suggests that 'listening' is a more active process than traditionally conceived in models of perception.",
author = "Stefan Koelsch and Peter Vuust and Karl Friston",
note = "Copyright {\circledC} 2018 Elsevier Ltd. All rights reserved.",
year = "2019",
month = "1",
doi = "10.1016/j.tics.2018.10.006",
language = "English",
volume = "23",
pages = "63--77",
journal = "Trends in Cognitive Sciences",
issn = "1364-6613",
publisher = "Elsevier Ltd. * Trends Journals",
number = "1",

}

RIS

TY - JOUR

T1 - Predictive Processes and the Peculiar Case of Music

AU - Koelsch, Stefan

AU - Vuust, Peter

AU - Friston, Karl

N1 - Copyright © 2018 Elsevier Ltd. All rights reserved.

PY - 2019/1

Y1 - 2019/1

N2 - We suggest that music perception is an active act of listening, providing an irresistible epistemic offering. When listening to music we constantly generate plausible hypotheses about what could happen next, while actively attending to music resolves the ensuing uncertainty. Within the predictive coding framework, we present a novel formulation of precision filtering and attentional selection, which explains why some lower-level auditory, and even higher-level music-syntactic processes elicited by irregular events are relatively exempt from top-down predictive processes. We review findings providing unique evidence for the attentional selection of salient auditory features. This formulation suggests that 'listening' is a more active process than traditionally conceived in models of perception.

AB - We suggest that music perception is an active act of listening, providing an irresistible epistemic offering. When listening to music we constantly generate plausible hypotheses about what could happen next, while actively attending to music resolves the ensuing uncertainty. Within the predictive coding framework, we present a novel formulation of precision filtering and attentional selection, which explains why some lower-level auditory, and even higher-level music-syntactic processes elicited by irregular events are relatively exempt from top-down predictive processes. We review findings providing unique evidence for the attentional selection of salient auditory features. This formulation suggests that 'listening' is a more active process than traditionally conceived in models of perception.

U2 - 10.1016/j.tics.2018.10.006

DO - 10.1016/j.tics.2018.10.006

M3 - Review

VL - 23

SP - 63

EP - 77

JO - Trends in Cognitive Sciences

JF - Trends in Cognitive Sciences

SN - 1364-6613

IS - 1

ER -