On Music and Memory through Μνήμη and Ἀνάμνησις

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On Music and Memory through Μνήμη and Ἀνάμνησις. / Wiskus, Jessica Dean.

In: Research in Phenomenology, Vol. 48, No. 3, 2018, p. 346-364.

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperJournal articleResearchpeer-review

Harvard

Wiskus, JD 2018, 'On Music and Memory through Μνήμη and Ἀνάμνησις', Research in Phenomenology, vol. 48, no. 3, pp. 346-364. https://doi.org/10.1163/15691640-12341401

APA

CBE

MLA

Wiskus, Jessica Dean. "On Music and Memory through Μνήμη and Ἀνάμνησις". Research in Phenomenology. 2018, 48(3). 346-364. https://doi.org/10.1163/15691640-12341401

Vancouver

Author

Wiskus, Jessica Dean. / On Music and Memory through Μνήμη and Ἀνάμνησις. In: Research in Phenomenology. 2018 ; Vol. 48, No. 3. pp. 346-364.

Bibtex

@article{574d6df5481e4548856ef054af46681c,
title = "On Music and Memory through Μνήμη and Ἀνάμνησις",
abstract = "Memory plays an integral role in music listening and music performance. But what specific memory structures do we employ when we engage with music? Taking Aristotle's De memoria et reminiscentia as principle guide, I aim to press upon a matter of central interest to the phenomenologist of music, focusing on the relation between memory proper and recollection. Drawing upon Physics IV and De anima III, I clarify a two-fold temporal structure- A structure comprised of sensation and flowing continuity- A t work in the experience of remembering. Finally, I claim that music, through the ordered expression of its successive sensations, pertains directly to but supports access to as well.",
keywords = "Aristotle, memory, musical movement",
author = "Wiskus, {Jessica Dean}",
year = "2018",
doi = "10.1163/15691640-12341401",
language = "English",
volume = "48",
pages = "346--364",
journal = "Research in Phenomenology",
issn = "0085-5553",
publisher = "Brill",
number = "3",

}

RIS

TY - JOUR

T1 - On Music and Memory through Μνήμη and Ἀνάμνησις

AU - Wiskus, Jessica Dean

PY - 2018

Y1 - 2018

N2 - Memory plays an integral role in music listening and music performance. But what specific memory structures do we employ when we engage with music? Taking Aristotle's De memoria et reminiscentia as principle guide, I aim to press upon a matter of central interest to the phenomenologist of music, focusing on the relation between memory proper and recollection. Drawing upon Physics IV and De anima III, I clarify a two-fold temporal structure- A structure comprised of sensation and flowing continuity- A t work in the experience of remembering. Finally, I claim that music, through the ordered expression of its successive sensations, pertains directly to but supports access to as well.

AB - Memory plays an integral role in music listening and music performance. But what specific memory structures do we employ when we engage with music? Taking Aristotle's De memoria et reminiscentia as principle guide, I aim to press upon a matter of central interest to the phenomenologist of music, focusing on the relation between memory proper and recollection. Drawing upon Physics IV and De anima III, I clarify a two-fold temporal structure- A structure comprised of sensation and flowing continuity- A t work in the experience of remembering. Finally, I claim that music, through the ordered expression of its successive sensations, pertains directly to but supports access to as well.

KW - Aristotle

KW - memory

KW - musical movement

UR - http://www.scopus.com/inward/record.url?scp=85054969427&partnerID=8YFLogxK

U2 - 10.1163/15691640-12341401

DO - 10.1163/15691640-12341401

M3 - Journal article

VL - 48

SP - 346

EP - 364

JO - Research in Phenomenology

JF - Research in Phenomenology

SN - 0085-5553

IS - 3

ER -