No laughing matter: Armin Laschet and the photographic exposé

TY - JOUR

T1 - No laughing matter:

T2 - Armin Laschet and the photographic exposé

AU - Olesen, Thomas

PY - 2024/1

Y1 - 2024/1

N2 - On July 17, 2021, the CDU's chancellor candidate Armin Laschet was photographed laughing during a speech by the German Federal President in the flood-stricken city of Erftstadt. The photographic images caused an uproar and contributed to the CDU's defeat in the September 23 election. The paper analyzes why these images resonated with such damaging effects. Theoretically, it sets the analysis on the background of the moralization and personalization of politics and argues that photography, with its ability to capture behavior at a distance, plays a prominent role in these processes. While this condition explains why an image of a laughing politician can generate such indignation in the first place, the paper discusses how this effect was amplified in the case of Laschet by a range of contextual features: (a) the timing of the images in the middle of an election period where politicians come under intense scrutiny; (b) their appearance in a crisis situation (the German flooding disaster) where politicians are surrounded by other role expectations than in routine periods; (3) Laschet's new, insecure position as leader of the CDU; (d) his history of scandals and poor political judgment; and (e) the frivolous and boisterous manner of his laughter. At a general theoretical level, the paper's insights caution us to avoid prima facie conclusions about the autonomous power of photographs. Instead, they encourage analytical sensitivity to the importance of timing and context as explanatory elements in our understanding of photographic exposés.

AB - On July 17, 2021, the CDU's chancellor candidate Armin Laschet was photographed laughing during a speech by the German Federal President in the flood-stricken city of Erftstadt. The photographic images caused an uproar and contributed to the CDU's defeat in the September 23 election. The paper analyzes why these images resonated with such damaging effects. Theoretically, it sets the analysis on the background of the moralization and personalization of politics and argues that photography, with its ability to capture behavior at a distance, plays a prominent role in these processes. While this condition explains why an image of a laughing politician can generate such indignation in the first place, the paper discusses how this effect was amplified in the case of Laschet by a range of contextual features: (a) the timing of the images in the middle of an election period where politicians come under intense scrutiny; (b) their appearance in a crisis situation (the German flooding disaster) where politicians are surrounded by other role expectations than in routine periods; (3) Laschet's new, insecure position as leader of the CDU; (d) his history of scandals and poor political judgment; and (e) the frivolous and boisterous manner of his laughter. At a general theoretical level, the paper's insights caution us to avoid prima facie conclusions about the autonomous power of photographs. Instead, they encourage analytical sensitivity to the importance of timing and context as explanatory elements in our understanding of photographic exposés.

KW - Armin Laschet

KW - Germany

KW - exposé

KW - laughter

KW - photography

KW - resonance

U2 - 10.1177/19401612221102027

DO - 10.1177/19401612221102027

M3 - Journal article

SN - 1940-1612

VL - 29

SP - 124

EP - 142

JO - The International Journal of Press/Politics

JF - The International Journal of Press/Politics

IS - 1

ER -