Research output: Non-textual form › Pictures, Video and sound recordings (digital) › Research
Research output: Non-textual form › Pictures, Video and sound recordings (digital) › Research
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TY - ADVS
T1 - Mola'a Revisited: Reef Panpipes
A2 - Crawford, Peter Ian
N1 - This concerns an ethnographic (scientific) film, for which no specific category exists in the PURE system.
PY - 2017/5/4
Y1 - 2017/5/4
N2 - The first main shoot for the Reef Islands Ethnographic Film Series in the Solomon Islands, in 1996, was seriously affected by the un- expected death of one of the main characters and partners in the project, Alfred Melotu, the paramount chief of the Aiwoo-speaking people on the island of Ngasinue. His death and funeral resulted in the first film we produced from the series, Alfred Melotu – the funeral of a paramount chief (2002), and footage from this plays an import- ant role in the installation film, Passage (2014), that forms a crucial element of the ethnographic exhibition, The Life of the Dead, at Moesgaard Museum (MOMU). In 2005 I revisited the Reef Islands and Mola’a, a small settlement on the northern tip of Ngasinue, where Alfred had settled with his extended family only a few years prior to his death. It was mainly a courtesy visit to his descendants, especially Agnes, his widow, and sons, daughters and grandchil- dren. The main surprise, however, was the apparent emergence of a completely new music form and practice, or was that what it was?
AB - The first main shoot for the Reef Islands Ethnographic Film Series in the Solomon Islands, in 1996, was seriously affected by the un- expected death of one of the main characters and partners in the project, Alfred Melotu, the paramount chief of the Aiwoo-speaking people on the island of Ngasinue. His death and funeral resulted in the first film we produced from the series, Alfred Melotu – the funeral of a paramount chief (2002), and footage from this plays an import- ant role in the installation film, Passage (2014), that forms a crucial element of the ethnographic exhibition, The Life of the Dead, at Moesgaard Museum (MOMU). In 2005 I revisited the Reef Islands and Mola’a, a small settlement on the northern tip of Ngasinue, where Alfred had settled with his extended family only a few years prior to his death. It was mainly a courtesy visit to his descendants, especially Agnes, his widow, and sons, daughters and grandchil- dren. The main surprise, however, was the apparent emergence of a completely new music form and practice, or was that what it was?
KW - Solomon Islands
KW - Reef Islands
KW - Ethnomusicology
KW - Ethnographic film
UR - https://visualethnomusicology.wordpress.com/
M3 - Pictures, Video and sound recordings (digital)
PB - Forlaget Intervention Press
ER -