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Mola'a Revisited: Reef Panpipes

Research output: Non-textual formPictures, Video and sound recordings (digital)Research

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Mola'a Revisited: Reef Panpipes. Crawford, Peter Ian (Producer). 2017. Forlaget Intervention Press.

Research output: Non-textual formPictures, Video and sound recordings (digital)Research

Harvard

Crawford, PI, Mola'a Revisited: Reef Panpipes, 2017, Pictures, Video and sound recordings (digital), Forlaget Intervention Press.

APA

Crawford, P. I. (Producer). (2017). Mola'a Revisited: Reef Panpipes. Pictures, Video and sound recordings (digital), Forlaget Intervention Press.

CBE

Crawford PI. 2017. Mola'a Revisited: Reef Panpipes. Forlaget Intervention Press. [Pictures, Video and sound recordings (digital)].

MLA

Crawford, Peter Ian, Mola'a Revisited: Reef Panpipes, Forlaget Intervention Press, Pictures, Video and sound recordings (digital), 2017

Vancouver

Crawford PI (Producer). Mola'a Revisited: Reef Panpipes Forlaget Intervention Press. 2017.

Author

Crawford, Peter Ian (Producer). / Mola'a Revisited: Reef Panpipes. [Pictures, Video and sound recordings (digital)].

Bibtex

@misc{b6e20b2d372b4056a311180918d898f5,
title = "Mola'a Revisited: Reef Panpipes",
abstract = "The first main shoot for the Reef Islands Ethnographic Film Series in the Solomon Islands, in 1996, was seriously affected by the un- expected death of one of the main characters and partners in the project, Alfred Melotu, the paramount chief of the Aiwoo-speaking people on the island of Ngasinue. His death and funeral resulted in the first film we produced from the series, Alfred Melotu – the funeral of a paramount chief (2002), and footage from this plays an import- ant role in the installation film, Passage (2014), that forms a crucial element of the ethnographic exhibition, The Life of the Dead, at Moesgaard Museum (MOMU). In 2005 I revisited the Reef Islands and Mola{\textquoteright}a, a small settlement on the northern tip of Ngasinue, where Alfred had settled with his extended family only a few years prior to his death. It was mainly a courtesy visit to his descendants, especially Agnes, his widow, and sons, daughters and grandchil- dren. The main surprise, however, was the apparent emergence of a completely new music form and practice, or was that what it was?",
keywords = "Solomon Islands, Reef Islands, Ethnomusicology, Ethnographic film",
author = "Crawford, {Peter Ian}",
note = "This concerns an ethnographic (scientific) film, for which no specific category exists in the PURE system.",
year = "2017",
month = may,
day = "4",
language = "English",
publisher = "Forlaget Intervention Press",

}

RIS

TY - ADVS

T1 - Mola'a Revisited: Reef Panpipes

A2 - Crawford, Peter Ian

N1 - This concerns an ethnographic (scientific) film, for which no specific category exists in the PURE system.

PY - 2017/5/4

Y1 - 2017/5/4

N2 - The first main shoot for the Reef Islands Ethnographic Film Series in the Solomon Islands, in 1996, was seriously affected by the un- expected death of one of the main characters and partners in the project, Alfred Melotu, the paramount chief of the Aiwoo-speaking people on the island of Ngasinue. His death and funeral resulted in the first film we produced from the series, Alfred Melotu – the funeral of a paramount chief (2002), and footage from this plays an import- ant role in the installation film, Passage (2014), that forms a crucial element of the ethnographic exhibition, The Life of the Dead, at Moesgaard Museum (MOMU). In 2005 I revisited the Reef Islands and Mola’a, a small settlement on the northern tip of Ngasinue, where Alfred had settled with his extended family only a few years prior to his death. It was mainly a courtesy visit to his descendants, especially Agnes, his widow, and sons, daughters and grandchil- dren. The main surprise, however, was the apparent emergence of a completely new music form and practice, or was that what it was?

AB - The first main shoot for the Reef Islands Ethnographic Film Series in the Solomon Islands, in 1996, was seriously affected by the un- expected death of one of the main characters and partners in the project, Alfred Melotu, the paramount chief of the Aiwoo-speaking people on the island of Ngasinue. His death and funeral resulted in the first film we produced from the series, Alfred Melotu – the funeral of a paramount chief (2002), and footage from this plays an import- ant role in the installation film, Passage (2014), that forms a crucial element of the ethnographic exhibition, The Life of the Dead, at Moesgaard Museum (MOMU). In 2005 I revisited the Reef Islands and Mola’a, a small settlement on the northern tip of Ngasinue, where Alfred had settled with his extended family only a few years prior to his death. It was mainly a courtesy visit to his descendants, especially Agnes, his widow, and sons, daughters and grandchil- dren. The main surprise, however, was the apparent emergence of a completely new music form and practice, or was that what it was?

KW - Solomon Islands

KW - Reef Islands

KW - Ethnomusicology

KW - Ethnographic film

UR - https://visualethnomusicology.wordpress.com/

M3 - Pictures, Video and sound recordings (digital)

PB - Forlaget Intervention Press

ER -