Keynote: An Attuning Approach to Sound Art and Design in Public Spaces

TY - CONF

T1 - Keynote: An Attuning Approach to Sound Art and Design in Public Spaces

AU - Højlund, Marie

PY - 2019/8/23

Y1 - 2019/8/23

N2 - Working with sonic interaction design and sound art in various public spaces call for an ecological and enactive methodology entailing investigations of actors and their interrelations with their respective environments as attuning and explorative agents. Based on my Ph.D. project on sound in Danish Hospitals (2017) I have thus developed a (dark) attuning approach as a methodological framework capable of accommodating both the multisensory atmosphere and the active engagement of the enactive user through practice-based experiments. In the keynote, I wish to explore and develop this approach through my previous projects engaging a gigantic wind-mill controlling the tempo of music throughout 2018 in the project Nephew vs. Overheard, imagining the sound world of a woman turning blind through interactive sound design for Dancer in the Dark at Aarhus Theatre and placing a range of sound installations around Denmark mixed together through audio satellites on a website throughout 2017 in the project The Overheard.

AB - Working with sonic interaction design and sound art in various public spaces call for an ecological and enactive methodology entailing investigations of actors and their interrelations with their respective environments as attuning and explorative agents. Based on my Ph.D. project on sound in Danish Hospitals (2017) I have thus developed a (dark) attuning approach as a methodological framework capable of accommodating both the multisensory atmosphere and the active engagement of the enactive user through practice-based experiments. In the keynote, I wish to explore and develop this approach through my previous projects engaging a gigantic wind-mill controlling the tempo of music throughout 2018 in the project Nephew vs. Overheard, imagining the sound world of a woman turning blind through interactive sound design for Dancer in the Dark at Aarhus Theatre and placing a range of sound installations around Denmark mixed together through audio satellites on a website throughout 2017 in the project The Overheard.

UR - http://www.mediaarthistory.org/resound/program

M3 - Paper

T2 - RE:SOUND

Y2 - 20 August 2019 through 23 August 2019

ER -