Abstract
This article examines a production of Birmingham-based Soul City Arts to explore their interface with individuals as already emancipated. Muslims and non-Muslims come together through Soul City Arts' experiences to do emancipatory work of reflection and action on their own. The company articulate immersive experiences with multiple communicative channels that allow for difference to survive in plurality. I introduce the channels followed in Waswasa at the Birmingham Hippodrome,
2022 Commonwealth Games. This experience saw reflections on faith with an enhanced understanding of difference amongst Muslims. I argue that such respect for individual differences comes through framing us as already emancipated.
2022 Commonwealth Games. This experience saw reflections on faith with an enhanced understanding of difference amongst Muslims. I argue that such respect for individual differences comes through framing us as already emancipated.
| Original language | English |
|---|---|
| Journal | Research in Drama Education |
| ISSN | 1356-9783 |
| DOIs | |
| Publication status | Accepted/In press - 2024 |