Abstract
Benjamin Kitter breathes new life into Cyrano de Bergerac at Odense Theatre, where Martin Crimp’s modern retelling shifts the focus from Cyrano’s physical appearance to the mastery—and limitations—of language. While the original text is driven by Cyrano’s famous nose, Crimp’s adaptation centres on verbal dexterity, turning words into a battleground of love and self-worth.
| Original language | Danish |
|---|---|
| Journal | Peripeti |
| ISSN | 1604-0325 |
| Publication status | Published - 7 Oct 2024 |