Feminist Avant-Garde Film of the 1970s as Gender Politics: The example of Tornerose, by Jytte Rex and Kirsten Justesen

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Abstract

This article traces how the avant-garde feminist artists who began making films in the 1970s used the media in different ways from their male colleagues. Their conceptual techniques and choice of subject matter can be seen as a response to the ongoing crisis in gender relations at this time. With only a few exceptions, such as Carolee Schneemann and Gunvor Nelson, the avant-garde film-makers of the 1960s were men. However, with the feminist movement at the beginning of the 1970s, more women artists started making their own films, instead of just being part of productions directed by their male colleagues. This essay investigates how the film Tornerose (Sleeping Beauty, 1971), by the Danish artists Jytte Rex and Kirsten Justesen, relates to other avant-garde films and to the more explicit political documentaries made in Denmark by the feminist 'Redstockings' movement.
Original languageEnglish
Title of host publicationA Cultural History of the Avant-garde in the Nordic Countries Since 1975
EditorsBenedikt Hjartarson, Camilla Skovbjerg Paldam, Laura Luise Schultz, Tania Ørum
Place of publicationLeiden
PublisherBrill
Publication date2022
Pages94-108
ISBN (Print)9789004444560
ISBN (Electronic)9789004515956
DOIs
Publication statusPublished - 2022
SeriesAvant Garde Critical Studies
ISSN1387-3008

Keywords

  • Feminism
  • Film
  • 1970s

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