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Erindringens kontemporaneitet

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Standard

Erindringens kontemporaneitet. / Iversen, Anne Kølbæk.

In: Passepartout, No. 39, 2019, p. 127-142.

Research output: Contribution to journal/Conference contribution in journal/Contribution to newspaperJournal articleResearchpeer-review

Harvard

APA

CBE

Iversen AK. 2019. Erindringens kontemporaneitet. Passepartout. (39):127-142.

MLA

Iversen, Anne Kølbæk. "Erindringens kontemporaneitet". Passepartout. 2019, (39). 127-142.

Vancouver

Iversen AK. Erindringens kontemporaneitet. Passepartout. 2019;(39):127-142.

Author

Iversen, Anne Kølbæk. / Erindringens kontemporaneitet. In: Passepartout. 2019 ; No. 39. pp. 127-142.

Bibtex

@article{d5d12c797d344b39a93f2dfe56e30f37,
title = "Erindringens kontemporaneitet",
abstract = "This article investigates artistic constructions and negotiations of autobiography that articulate what will here be termed complex contemporaneities; distinct points from which a range of factual and possible trajectories bifurcates in time and space. The reading follows a tradition for artistic practice and criticism engaging with the notions of “archive” and “history” (understood as both historiography and archaeological traces from the passing of time) but focusing on the artworks as propositions of how the individual sees him-/herself emerging from a background of exteriorised and distributed memories. The investigations of individuation processes that take place within the works are seen in view of the present conditions for inscribing, reading and circulating information, knowledge and experience.",
author = "Iversen, {Anne K{\o}lb{\ae}k}",
note = "S{\ae}rnummer med titlen: Tid og temporalitet",
year = "2019",
language = "Dansk",
pages = "127--142",
journal = "Passepartout",
issn = "0908-5351",
publisher = "Aarhus Universitet",
number = "39",

}

RIS

TY - JOUR

T1 - Erindringens kontemporaneitet

AU - Iversen, Anne Kølbæk

N1 - Særnummer med titlen: Tid og temporalitet

PY - 2019

Y1 - 2019

N2 - This article investigates artistic constructions and negotiations of autobiography that articulate what will here be termed complex contemporaneities; distinct points from which a range of factual and possible trajectories bifurcates in time and space. The reading follows a tradition for artistic practice and criticism engaging with the notions of “archive” and “history” (understood as both historiography and archaeological traces from the passing of time) but focusing on the artworks as propositions of how the individual sees him-/herself emerging from a background of exteriorised and distributed memories. The investigations of individuation processes that take place within the works are seen in view of the present conditions for inscribing, reading and circulating information, knowledge and experience.

AB - This article investigates artistic constructions and negotiations of autobiography that articulate what will here be termed complex contemporaneities; distinct points from which a range of factual and possible trajectories bifurcates in time and space. The reading follows a tradition for artistic practice and criticism engaging with the notions of “archive” and “history” (understood as both historiography and archaeological traces from the passing of time) but focusing on the artworks as propositions of how the individual sees him-/herself emerging from a background of exteriorised and distributed memories. The investigations of individuation processes that take place within the works are seen in view of the present conditions for inscribing, reading and circulating information, knowledge and experience.

M3 - Tidsskriftartikel

SP - 127

EP - 142

JO - Passepartout

JF - Passepartout

SN - 0908-5351

IS - 39

ER -