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Ushma Chauhan Jacobsen

The Global Audiences of Danish Television Drama

Research output: Book/anthology/dissertation/reportBookResearchpeer-review

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The Global Audiences of Danish Television Drama. / Jensen, Pia Majbritt (Editor); Jacobsen, Ushma Chauhan (Editor).

Gothenburg : Nordicom, 2020. 125 p.

Research output: Book/anthology/dissertation/reportBookResearchpeer-review

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Bibtex

@book{6ddadc791801492c95505775cad98002,
title = "The Global Audiences of Danish Television Drama",
abstract = "Following the surprising and unprecedented international export of Danish television drama in the early 2010s, this anthology explores the reception of these series among global audiences by tracing the travel of the series in seven different countries: Australia, Brazil, Denmark, Germany, Japan, Turkey, and United Kingdom. Each contribution differs in terms of its theoretical and methodological position that reflects the diverse backgrounds of the researchers and the types of data collected. As a whole, the anthology provides insights on doing global audience research in an age of multi-platform and multidirectional media flows, as well as on the complex nature of contemporary audiences located in different parts of the world. The anthology offers a timely addition to research on Danish television drama, the international circulation of audio-visual content produced in non-Anglophone contexts, and to the phenomenon of Nordic noir for both students and scholars.",
editor = "Jensen, {Pia Majbritt} and Jacobsen, {Ushma Chauhan}",
year = "2020",
language = "English",
isbn = "978-91-88855-21-3",
publisher = "Nordicom",

}

RIS

TY - BOOK

T1 - The Global Audiences of Danish Television Drama

A2 - Jensen, Pia Majbritt

A2 - Jacobsen, Ushma Chauhan

PY - 2020

Y1 - 2020

N2 - Following the surprising and unprecedented international export of Danish television drama in the early 2010s, this anthology explores the reception of these series among global audiences by tracing the travel of the series in seven different countries: Australia, Brazil, Denmark, Germany, Japan, Turkey, and United Kingdom. Each contribution differs in terms of its theoretical and methodological position that reflects the diverse backgrounds of the researchers and the types of data collected. As a whole, the anthology provides insights on doing global audience research in an age of multi-platform and multidirectional media flows, as well as on the complex nature of contemporary audiences located in different parts of the world. The anthology offers a timely addition to research on Danish television drama, the international circulation of audio-visual content produced in non-Anglophone contexts, and to the phenomenon of Nordic noir for both students and scholars.

AB - Following the surprising and unprecedented international export of Danish television drama in the early 2010s, this anthology explores the reception of these series among global audiences by tracing the travel of the series in seven different countries: Australia, Brazil, Denmark, Germany, Japan, Turkey, and United Kingdom. Each contribution differs in terms of its theoretical and methodological position that reflects the diverse backgrounds of the researchers and the types of data collected. As a whole, the anthology provides insights on doing global audience research in an age of multi-platform and multidirectional media flows, as well as on the complex nature of contemporary audiences located in different parts of the world. The anthology offers a timely addition to research on Danish television drama, the international circulation of audio-visual content produced in non-Anglophone contexts, and to the phenomenon of Nordic noir for both students and scholars.

UR - https://www.nordicom.gu.se/sv

M3 - Book

SN - 978-91-88855-21-3

BT - The Global Audiences of Danish Television Drama

PB - Nordicom

CY - Gothenburg

ER -