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Marie Højlund

Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines

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In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.
Original languageEnglish
JournalLeonardo Music Journal
Volume30
Pages (from-to)90-94
ISSN0961-1215
DOIs
Publication statusPublished - Dec 2020

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