My PhD project investigates how the art biennial as an exhibition paradigm produces contemporaneity today. Focusing on three art biennials – the Venice Biennale (2015 and 2017), the Istanbul Biennial (2015 and 2017) and Documenta (2017) – the project examines the interrelated modalities and temporalities of transnational European art biennials. My project is thus situated at the intersection of art history, aesthetic theory and critical philosophy.
