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Digital aesthetics (Artificial Intelligence), Media theory and criticism, Modern aesthetics (starting with Baumgarten), Phenomenology, Philosophers (Charles Sanders Peirce, Maurice Merleau-Ponty), Philosophical aesthetics, Philosophy of science
Contemporary art, Golden Age, Modernity, Museum communication, Museums (history, layout, architecture, functions), Visual analysis (Art historiography, Theory of art), history of art (Avant-garde, modernism, painting)
Aesthetic interaction, Avant-garde, Contemporary art, Critique of civilisation (starting with Rousseau), Democracy and power, Digital aesthetics, Digital art, net art, software art, Digital literature, narration/storytelling, hypertext, net literature, Feminist critique of technology, Gender and technology, Ideology and attitudes, Media politics, Modern aesthetic theory, Philosophical aesthetics, Philosophy and history of technology, Recent french philosophy, Visual culture, Visual machines
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Aesthetic analysis, Aesthetics and art, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Theory and History of Art, Visual analysis, Visual art (Sculpture), Visual culture
Architecture, Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)
Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)
Avant-garde (Collage, Dadaism, Surrealism), Cultural forms of expression (gender, sexology, sexuality), Interdisciplinary aesthetics, Text theory and analysis (Ekphrasis), Theory and History of Art, Visual analysis
Contemporary art, Museum communication (Exhibitions, Knowledge production, politics of display, politics of representation), Politics of culture, Visual analysis, Visual art