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Art, Culture and Media › Theory and History of Art › Avant-garde
Bryld Staunæs, Asker
Avant-garde, Aesthetic interaction, Contemporary art, Critique of civilisation (starting with Rousseau), Democracy and power, Digital aesthetics, Digital art, net art, software art, Digital literature, narration/storytelling, hypertext, net literature, Feminist critique of technology, Gender and technology, Ideology and attitudes, Media politics, Modern aesthetic theory, Philosophical aesthetics, Philosophy and history of technology, Recent french philosophy, Visual culture, Visual machines
Dias, Tobias
Avant-garde, Aesthetics and art, Art as an institution, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Lægring, Kasper
Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Architecture, Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)
Larsen, Ane Hejlskov
Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)
Paldam, Camilla Skovbjerg
Avant-garde (Collage, Dadaism, Surrealism), Cultural forms of expression (gender, sexology, sexuality), Interdisciplinary aesthetics, Text theory and analysis (Ekphrasis), Theory and History of Art, Visual analysis
Stephensen, Jan Løhmann
Avant-garde, Aesthetics and Philosophy of Art, Aesthetics and art, Art as an institution, Contemporary art, Everyday life, Historical perceptions of art, History of aesthetics after 1735, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Modernity, Organisation and management theory, Political and Economic Philosophy and History of Ideas, The aesthetic in the modern world, The concept of the work, Working Life and the Labour Market
Wamberg, Jacob
Avant-garde (Bioart, Cubism and Futurism, Duchamp, Land Art), History of historical understanding (Art historiography), Theory and History of Aesthetics (Art, technology, nature, Big History, Biosemiotics, Cultural Evolution, Deep History, Posthumanism), Virtual reality, augmented reality, interactive space (Bioart), Visual analysis