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Art, Culture and Media › Theory and History of Aesthetics › Aesthetics and art
Dias, Tobias
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Jakobsen, Lise Skytte
Aesthetics and art, Aesthetic analysis, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Theory and History of Art, Visual analysis, Visual art (Sculpture), Visual culture
Michelsen, Lea Laura
Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)
Stephensen, Jan Løhmann
Aesthetics and art, Aesthetics and Philosophy of Art, Art as an institution, Avant-garde, Contemporary art, Everyday life, Historical perceptions of art, History of aesthetics after 1735, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Modernity, Organisation and management theory, Political and Economic Philosophy and History of Ideas, The aesthetic in the modern world, The concept of the work, Working Life and the Labour Market