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Canon, Classical philosophy (particularly Plato and Aristotle), Essay writing and cultural journalism, German idealism, German philosophy in the 20th century (Heidegger), History of aesthetics after 1735, Literary epochs, Modern aesthetics (starting with Baumgarten), Philosophical aesthetics (Intellectual intuition and Enthusiasm), Poetics, poetry and philosophy, The linguistic turn, World literature
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Aesthetics and everyday life, Cultural change, Cultural forms of expression, Cultural theory, Everyday life, Globalisation, High and low culture, Identity, Literary epochs (Bildungsroman, theories of Bildung, The modern novel), Modern aesthetic theory, Modernity, Popular culture, World literature (globalization and literature)
Aesthetic analysis, Aesthetics and art, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Theory and History of Art, Visual analysis, Visual art (Sculpture), Visual culture
Theory and History of Aesthetics, Cultural forms of expression, Enunciation theory, Language Philosophy (language, signs and images), Literature, Modern aesthetics (starting with Baumgarten), Phenomenology, Philosophers (Giorgio Agamben, Jacques Derrida, Michel Foucault), Philosophy of Science, Poetics, poetry and philosophy, Structuralism, Theory and History of Art, Visual art
Architecture, Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)
Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)
Avant-garde (Collage, Dadaism, Surrealism), Cultural forms of expression (gender, sexology, sexuality), Interdisciplinary aesthetics, Text theory and analysis (Ekphrasis), Theory and History of Art, Visual analysis
Contemporary art, Danish and international institutions of culture, Digital aesthetics, Digital art, net art, software art, Digital installations, Globalisation, History of aesthetics after 1735, Modern aesthetic theory, Multimediality/cross-mediality, Visual analysis, Visual art (Chinese Art, Contemporary Art, Non-Western Art)
Aesthetics and Philosophy of Art, Aesthetics and art, Art as an institution, Avant-garde, Contemporary art, Everyday life, Historical perceptions of art, History of aesthetics after 1735, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Modernity, Organisation and management theory, Political and Economic Philosophy and History of Ideas, The aesthetic in the modern world, The concept of the work, Working Life and the Labour Market
Aesthetic analysis, Contemporary art (Olfactory Aesthetics, Smell), Digital aesthetics (Affect, Deepfakes, Digital Images), Literary genres (Concrete Poetry), Media theory and criticism
Theory and History of Aesthetics (Art, technology, nature, Big History, Biosemiotics, Cultural Evolution, Deep History, Posthumanism), Avant-garde (Bioart, Cubism and Futurism, Duchamp, Land Art), History of historical understanding (Art historiography), Virtual reality, augmented reality, interactive space (Bioart), Visual analysis