Filter by selecting one or more of the following keywords...
Canon, Classical philosophy (particularly Plato and Aristotle), Essay writing and cultural journalism, German idealism, German philosophy in the 20th century (Heidegger), History of aesthetics after 1735, Literary epochs, Modern aesthetics (starting with Baumgarten), Philosophical aesthetics (Intellectual intuition and Enthusiasm), Poetics, poetry and philosophy, The linguistic turn, World literature
Books as a medium (including digital literature) (History of the Book, Paratexts, The materiality of the book), Climate and culture, Cultural forms of expression, Digital literature, narration/storytelling, hypertext (Twitter fiction), High and low culture, Historiography of literature, History of criticism, Literary epochs (20th Century American literature, Cormac McCarthy, David Foster Wallace, Don DeLillo, Jennifer Egan, Jonathan Franzen, Modernism, Postironical literature, Postmodernism, Thomas Pynchon, Vladimir Nabokov, William Gibson), Literature, Media, Text theory and analysis, The literary market (Serialization), Theory and Analysis of Culture, USA
Empires and colonies (Danish colonial history, Danish West Indies, Slavery), Film history (African film, Cultural history of film, Film and globalizaition, Film and politics), France (Contemporary French literature, French colonialism), Globalisation (Literature and globalization, Postcolonialism), World literature (Dave Eggers, Francois Bon, Georges Perec, Globalization and literature, Jonathan Littell, Michel Houellebecq, Pierre Alferi, Thomas Pynchon, Vladimir Sorokin)
Contemporary art, Golden Age, Modernity, Museum communication, Museums (history, layout, architecture, functions), Visual analysis (Art historiography, Theory of art), history of art (Avant-garde, modernism, painting)
Data protection, Internet (Digital Sociology), Machine learning , Media industry (Internet industry), Mobile systems and interfaces, Quantitative Methods (Computational Social Science)
Dramatic art (Dutch and Flemish theatre, European theatre, German theatre, Regietheater, theatre direction), Dramaturgy (Sociodramaturgy, Theatre and Society), Theatre institutions (Institutional Critique, Institutional Dramaturgy)
Computers (Digital Audio), Digital music and sound (Music Notation and its Structure), Digital sound and music, Ear-nose-throat (Psychoacoustics), Signal processing of sound
Aesthetic interaction, Avant-garde, Contemporary art, Critique of civilisation (starting with Rousseau), Democracy and power, Digital aesthetics, Digital art, net art, software art, Digital literature, narration/storytelling, hypertext, net literature, Feminist critique of technology, Gender and technology, Ideology and attitudes, Media politics, Modern aesthetic theory, Philosophical aesthetics, Philosophy and history of technology, Recent french philosophy, Visual culture, Visual machines
Augmented reality (media facades, mobile applications, Smart Cities, Urban media), Computer Games, Digital Art and Culture, Digital Media, Digital and physical spaces (New interaction technologies, Social interaction), Forms of interaction (iPhone, mobile ecologies, new forms of interaction, Urban interactions), Gender and technology (children and mobile/cell phones, children's popular culture, Facebook, social media, tweens), Globalisation, technology (Hyperlocal news), Interaction design (new interaction technologies), Interactive rooms, buildings and urban environments (interactive media facades), Mobile systems and interfaces (Asia, Japan, Keitai, mobile gaming, pervasive play, South Korea), Model-driven systems development (digital habitats, multi-disciplinary models for design), Models and logic for interactive systems, Pervasive computing interaction (children, play and games), Robots (children and technology), Spatial IT (GPS, Internet of Things, location-based services, social spaces), Theories on use and interaction (computer semiotics), Urban computing (Smart Cities), User participation in systems development (participatory design) (designing with children)
Digital culture and communication (blogs, milblogs), History of mentalities (english civil war, puritanism), Identity, Medieval political philosophy, Nationalism (Nationalism and religion), Qualitative Methods, Sociology of religion (Civil religion, Religion in public space), State and sovereignty, USA (Religion in the USA), Violence
Cultural history (American music and culture 1950-1975), Popular music (American popular music, 1950-1975), Rock (American rock music, 1950-1975), USA
Identity (Globalisation in the past & the present,, Memory and Identity,, Memory and Narration,, Region National Identity in Europe,, Region National Identity in Italy), Literary epochs (Courtly Love & Culture,, Dante, Petrarca & Boccaccio,, History of the Concept of Love in Europe, Italian Literature and Culture in the Miidde Ages & Renassance,), Modernity (Culture, Media and Globalisation,, Popular Culture, Postmodernity and Postmdernism,), Text theory and analysis (Discourse & Culture Analysis,, Literature and Politics, Literature and Society,, Narratology,, The Fantastic,)
Computer games (Horror, Survival horror), Film theory (Cognitive theory, Evolutionary theory), Historiography of literature, Literary genres (Apocalyptic and postapocalyptic texts, Fantasy, Gothic, Horror, Science Fiction), Philosophy of science for the humanities, Text theory and analysis (Literary Darwinism), Video genres (Horror Film)
Cultural contact (American culture), Digital literature, narration/storytelling, hypertext, net literature (Cyberpunk literature), Everyday life (American folk and consumer culture, Romantic fiction, Women in America), Fashion (19th century American women, Women in Politics), Film analysis (American movies), Identity (Asian-Americans), Literary epochs (Thomas Pynchon, US literature), Modernity (technology), Popular culture (Conspiracy culture, Disney, Marilyn Monroe), Social history (American First Ladies), USA, Visual art (American)
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Avant-garde, Books as a medium (including digital literature), Criticism of translation, Cultural change, Cultural contact, Cultural forms of expression, Cultural theory, English, Film, Francophony, French, French in the world, past and present, Globalisation, High and low culture, Identity, Literary epochs, Literary genres, Modernity, Nationalism, Poetics, poetry and philosophy, Text theory and analysis, Translation methods, Translation theory, Visual analysis, World literature
Historiography of literature (Anthropocene), Literary epochs (Decadence, Fin-de-siecle, Victorian era), Text theory and analysis (Scale), Travel literature (Edward Bulwer-Lytton, H.G. Wells, Jules Verne, Subterranean fiction)
Aesthetics and everyday life, Cultural change, Cultural forms of expression, Cultural theory, Everyday life, Globalisation, High and low culture, Identity, Literary epochs (Bildungsroman, theories of Bildung, The modern novel), Modern aesthetic theory, Modernity, Popular culture, World literature (globalization and literature)
Computer Games, Digital Art and Culture, Design and Systems Development, Design processes, Digital set design, Experience-oriented IT, Forms of interaction, Interaction design, Mixed reality, Multimedia, Systems development methods, User participation in systems development (participatory design), Virtual Reality
Attitudes and Politics, Language philosophy, Metaphysics and Ontology, Philosophers ("Enjoyment", Alain Badiou, French Philosophy, Jacques Derrida, Jacques Lacan, Psychoanalysis, Radical Philosophy, Slavoj Žižek, Slovenian Philosophy, Structuralism), The aesthetic in the modern world, Theory and Analysis of Culture
Conflict, Contemporary art, Cultural theory (Cultural Memory), Historiography of literature (Spanish Historical novel), Human rights, Ideology and attitudes, Literary epochs (Spanish literature in the 1920'ies and after 2000), Literary genres (The spanish novel after 2000), Meeting of cultures, Modernity (Cultural identities), Spain (Civil War and Postwar, Transition to Democracy), Visual art (Spanish Vanguard in the 20'ies)
Anthropology and Ethnography, Attitudes and Politics, Australia and Oceania, Concept of Culture, Contemporary Denmark, Contemporary Europe, Contemporary World, Culture and Society, Democracy and Citizens, Drama, English, Europe, Faith, Historical Method, Language Philosophy (language, signs and images), Language Use (text and conversation), Language, Thought and Society (psycho/sociolinguistics), Linguistics (grammar etc), Literature, Modern History, Europe, Modern History, World, Music, North America, Polar Regions, Religion, Research Methods, Rhetoric, Scandinavian Countries, State, Region and Municipality, The Bible, The Church, Theory and Analysis of Culture, Theory and History of Aesthetics, Theory and History of Art, Thinkers
Books as a medium (including digital literature), Interdisciplinary aesthetics (Perception and cognition, Sound and image), Musical analysis (Music and emotions, Music in audiovisual media, Musical underscore, incidental music), Popular music (Television- and film music), Radio history, Semiotics and semiology (Cognitive semantics, cognitive theory), TV aesthetics (Danish tv documentaries, Jingles and musical underscore in television, Portraits of politicians in Danish documentaries)
Cultural forms of expression (cultural memory, literacy, myth and mythology, orality), Literary epochs, Text theory and analysis (Danish Rhymed Chronicle, Old Norse historioraphy, Old Norse literature, Old Norse myths, saga literature), World literature (hagiography, historiography, Literature and Globalization, Religious literature)
Anthropology, Cultural forms of expression (Fashion.), Everyday life (The phsychopathology of everyday life), Fashion, Globalisation (Exile and globalization. Globalisering-homeland. Theories of space and place. Emotional geografi.), High and low culture (Taste and distaste. Karnevalism.), History of aesthetics after 1735, Identity (Identity and place.), Late Antiquity and Christian ethics (The seven deadly sins. The sin of sloth.), Literary epochs (Realism. Modernism.), Literary institutions, Modernity, Photography (Photography and memory), Poetics, poetry and philosophy (Peotics of melancholy.), Psychology of creativity (Melancholy and creativity. Exile, loss and creativity.), Psychology of crisis and trauma (Eksil), Psychology of emotions (Melancholy. Nostalgia.Ennui. Envy. Sloth. Boredom. Anger), Religious movements (Ascetism. The sven deadly sins), Travel literature, World literature
Digital literature, narration/storytelling, hypertext (Multimodality), Globalisation, Identity, Literary epochs (19th Century, 20th century, Decadence, Modernism, Realism), Narrativity/storytelling, Poetics, poetry and philosophy, Political rhetoric, Rhetorical analysis (Multimodal Rhetoric, Narrative Rhetoric, Visual Rhetoric), Text theory and analysis (Cultural Memory, Deconstruction, Fictionality, Narrative theory, Unnatural Narratology, Witness Literature), Theories of learning
Aesthetic analysis, Aesthetics and art, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Theory and History of Art, Visual analysis, Visual art (Sculpture), Visual culture
Entertainment, Ethnography, Everyday life, Experience economy, Interaction design, Media theory and criticism, Multimediality/cross-mediality, Participant observation, Popular culture, Qualitative methods, Reception analysis/reception research, Reception analysis/reception research, Theories on use and interaction
French in the world, past and present (Frankofoni, Litteraturhistorie), Literary epochs, Modern drama, Poetics, poetry and philosophy, Text theory and analysis, Translation theory (Litterær oversættelse, Oversættelsens poetik)
Identity (subjectivity), Perceptions of the body (Embodiment), Sociality on the internet (data sharing, Privacy Issues), The individual
Computer games (Horror), Media theory and criticism (Biocultural theory), Modern aesthetic theory (Cognitive media theory), Popular culture
Advertising aesthetics (puns, wordplay), Books as a medium (including digital literature) (The materiality of the book), Cognition theory (puns), Cultural forms of expression (Self-Fashioning, Self-Fashioning in media), History of criticism, Literary epochs (Avant-garde, Contemporary novels (2000-2006), contemporary poetry, Postmodernism), Literary institutions, Literature, Lyrics, Poetics, poetry and philosophy (Claus Beck-Nielsen, Das Beckwerk, Gilles Deleuze, Humour, J.P. Jacobsen, Knud Romer, Lyric, metaphor, Morten Søndergaard, Niels Frank, Niels Lyngsø, Per Højholt, Peter Laugesen, Poetry, puns, Simon Grotrian, Ursula Andkjær Olsen), Printed Media, Text theory and analysis (Authorship, Autobiography, Autofiction, Deconstruction, didactics of literature, Fiction, Jens Peter Jacobsen, literary criticism, Narrative theory, Narratology, Poetry, Self-Fashioning, Theory of fiction, Witness Literature, Wordplay), The concept of the work
Digital aesthetics, Digital aesthetics (Audiovisual Remixing, New Audiovisual Short-Forms, YouTube), Digital sound and music, Film, Film, Film aesthetics, Film analysis (Film and Media Analysis), Film history, Film theory, Media (Audiovisual Studies, Audiovisuality), Multimediality/cross-mediality (Digital/Audiovisual Literacy, Media Paratexts), Popular music, Video genres (Music Video, Video Essays, Videographic Criticism), Videoaesthetics (Music Video)
Dramatic art (Dramaturgical analysis, Participatory art and theatre, Reality-theatre), Dramaturgy (Applied dramaturgy in mise en scenes, Dramaturgical management), Globalisation (Participatory culture, Worldart: Theatrical and performative actions in perspective of globalisation), Philosophy of education and history of the concept of education (Arts in education and formation, Theatre and Drama in Education)
Baltic states (contemporary theatre performances, The theatre as a tools of historiography), Cultural history, Denmark (Contemporary Danish History of Theatre), Drama analysis (Postwar drama), Dramatic art (Danish traditions of directing, Theatre Directing in the Postwar Period), Dramaturgy (Applied dramaturgy in mise en scenes), East European and East Asian Languages (Russian, Chinese, Japaneseetc), France (French drama and theatre, Mise en scene as incorporated in French drama), French, Modern aesthetic theory, Modern drama (Contemporary European Drama), Performance (Performance in a theatrical use of the space), Renaissance, Europe (framing of theatrical forms), Russia (Russian art of acting, Russian directing (mise en scene) in the theatre, Russian scenography and stage design, Russian Theatre Pedagogics, Stanislavsky's writings, The heritage from Stanislavsky), Russian, Theatre analysis (Odin Teatret, Performance analysis, Terminology of the art of acting, the professional language of the director, The staging of classics, The verbalisation of the mise en scene, Theatre conventions, Theatre historiography, Theatre history, Theatricality), Theory and History of Aesthetics
Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)
Cultural change (forgiveness, individual and cultural memory), Globalisation (literature and globalization), Historiography of literature, Literary epochs (Europe after 1700), Modernity (urban culture), Narrativity/storytelling (the function of storytelling), Philosophy of education and history of the concept of education ('Bildung' and secondary education), Poetics, poetry and philosophy (conceptions of nature, memory), Semiotics and semiology (discourse analysis, literary and cultural semiotics), Structuralism, World literature (globalization and literature)