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  1. Dalsgaard, Inger Hunnerup

    Cultural contact (American culture), Digital literature, narration/storytelling, hypertext, net literature (Cyberpunk literature), Everyday life (American folk and consumer culture, Romantic fiction, Women in America), Fashion (19th century American women, Women in Politics), Film analysis (American movies), Identity (Asian-Americans), Literary epochs (Thomas Pynchon, US literature), Modernity (technology), Popular culture (Conspiracy culture, Disney, Marilyn Monroe), Social history (American First Ladies), USA, Visual art (American)

    • Hansen, Hans Lauge

      Conflict, Contemporary art, Cultural theory (Cultural Memory), Historiography of literature (Spanish Historical novel), Human rights, Ideology and attitudes, Literary epochs (Spanish literature in the 1920'ies and after 2000), Literary genres (The spanish novel after 2000), Meeting of cultures, Modernity (Cultural identities), Spain (Civil War and Postwar, Transition to Democracy), Visual art (Spanish Vanguard in the 20'ies)

      • Hornbek, Birgitte Rasmussen

        Anthropology, Cultural forms of expression (Fashion.), Everyday life (The phsychopathology of everyday life), Fashion, Globalisation (Exile and globalization. Globalisering-homeland. Theories of space and place. Emotional geografi.), High and low culture (Taste and distaste. Karnevalism.), History of aesthetics after 1735, Identity (Identity and place.), Late Antiquity and Christian ethics (The seven deadly sins. The sin of sloth.), Literary epochs (Realism. Modernism.), Literary institutions, Modernity, Photography (Photography and memory), Poetics, poetry and philosophy (Peotics of melancholy.), Psychology of creativity (Melancholy and creativity. Exile, loss and creativity.), Psychology of crisis and trauma (Eksil), Psychology of emotions (Melancholy. Nostalgia.Ennui. Envy. Sloth. Boredom. Anger), Religious movements (Ascetism. The sven deadly sins), Travel literature, World literature

        • Korsgaard, Mathias Bonde

          Digital aesthetics, Digital aesthetics (Audiovisual Remixing, New Audiovisual Short-Forms, YouTube), Digital sound and music, Film, Film, Film aesthetics, Film analysis (Film and Media Analysis), Film history, Film theory, Media (Audiovisual Studies, Audiovisuality), Multimediality/cross-mediality (Digital/Audiovisual Literacy, Media Paratexts), Popular music, Video genres (Music Video, Video Essays, Videographic Criticism), Videoaesthetics (Music Video)

          • Larsen, Ane Hejlskov

            Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)

            • Lægring, Kasper

              Architecture, Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)

              • Michelsen, Lea Laura

                Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)

                • Nielsen, Steen Kaargaard

                  Art music (American and European Postminimalism), Film (Film music), Film history (Film music), Music culture, Sound culture (Phonographic music)

                  • Rosendal, Jakob

                    Advertising, Film, Photography, Visual analysis (Feminism, Psychoanalysis, Semiology/semiotics), Visual culture (Children's drawings, Everyday images, Overlooked signs), history of art (Images of children, Images of girls)

                    • Shanaah, Anastasia

                      Contemporary art, Museum communication (Exhibitions, Knowledge production, politics of display, politics of representation), Politics of culture, Visual analysis, Visual art

                      • Vium, Christian

                        Anthropology (Aesthetic practice, Art and Science, Australia, Brazil, Collaborative Knowledge Production, Experimental Anthropology, Experimental methods, France, Mali, Mauritania, Migration, Nomadism, Postcolonial theory, discourse and culture analysis, Re-enactment, Siberia, South Africa, Urban Anthropology), Film production (collaboration , Ethnographic Film - production, Ethnographic Film - theory, experimentation, Film analysis, Film theory, montage, participation), Photography (Aesthetic experience, Colonial Photography, Photographic methods, Photographic theory, Re-enactment)

                        • Wamberg, Jacob

                          Avant-garde (Bioart, Cubism and Futurism, Duchamp, Land Art), History of historical understanding (Art historiography), Theory and History of Aesthetics (Art, technology, nature, Big History, Biosemiotics, Cultural Evolution, Deep History, Posthumanism), Virtual reality, augmented reality, interactive space (Bioart), Visual analysis