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Contemporary art, Golden Age, Modernity, Museum communication, Museums (history, layout, architecture, functions), Visual analysis (Art historiography, Theory of art), history of art (Avant-garde, modernism, painting)
Aesthetic interaction, Avant-garde, Contemporary art, Critique of civilisation (starting with Rousseau), Democracy and power, Digital aesthetics, Digital art, net art, software art, Digital literature, narration/storytelling, hypertext, net literature, Feminist critique of technology, Gender and technology, Ideology and attitudes, Media politics, Modern aesthetic theory, Philosophical aesthetics, Philosophy and history of technology, Recent french philosophy, Visual culture, Visual machines
Cultural contact (American culture), Digital literature, narration/storytelling, hypertext, net literature (Cyberpunk literature), Everyday life (American folk and consumer culture, Romantic fiction, Women in America), Fashion (19th century American women, Women in Politics), Film analysis (American movies), Identity (Asian-Americans), Literary epochs (Thomas Pynchon, US literature), Modernity (technology), Popular culture (Conspiracy culture, Disney, Marilyn Monroe), Social history (American First Ladies), USA, Visual art (American)
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Avant-garde, Books as a medium (including digital literature), Criticism of translation, Cultural change, Cultural contact, Cultural forms of expression, Cultural theory, English, Film, Francophony, French, French in the world, past and present, Globalisation, High and low culture, Identity, Literary epochs, Literary genres, Modernity, Nationalism, Poetics, poetry and philosophy, Text theory and analysis, Translation methods, Translation theory, Visual analysis, World literature
Theory and History of Art, Anthropology and Ethnography, Attitudes and Politics, Australia and Oceania, Concept of Culture, Contemporary Denmark, Contemporary Europe, Contemporary World, Culture and Society, Democracy and Citizens, Drama, English, Europe, Faith, Historical Method, Language Philosophy (language, signs and images), Language Use (text and conversation), Language, Thought and Society (psycho/sociolinguistics), Linguistics (grammar etc), Literature, Modern History, Europe, Modern History, World, Music, North America, Polar Regions, Religion, Research Methods, Rhetoric, Scandinavian Countries, State, Region and Municipality, The Bible, The Church, Theory and Analysis of Culture, Theory and History of Aesthetics, Thinkers
Anthropology, Cultural forms of expression (Fashion.), Everyday life (The phsychopathology of everyday life), Fashion, Globalisation (Exile and globalization. Globalisering-homeland. Theories of space and place. Emotional geografi.), High and low culture (Taste and distaste. Karnevalism.), History of aesthetics after 1735, Identity (Identity and place.), Late Antiquity and Christian ethics (The seven deadly sins. The sin of sloth.), Literary epochs (Realism. Modernism.), Literary institutions, Modernity, Photography (Photography and memory), Poetics, poetry and philosophy (Peotics of melancholy.), Psychology of creativity (Melancholy and creativity. Exile, loss and creativity.), Psychology of crisis and trauma (Eksil), Psychology of emotions (Melancholy. Nostalgia.Ennui. Envy. Sloth. Boredom. Anger), Religious movements (Ascetism. The sven deadly sins), Travel literature, World literature
Theory and History of Art, Aesthetic analysis, Aesthetics and art, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Visual analysis, Visual art (Sculpture), Visual culture
Digital aesthetics, Digital aesthetics (Audiovisual Remixing, New Audiovisual Short-Forms, YouTube), Digital sound and music, Film, Film, Film aesthetics, Film analysis (Film and Media Analysis), Film history, Film theory, Media (Audiovisual Studies, Audiovisuality), Multimediality/cross-mediality (Digital/Audiovisual Literacy, Media Paratexts), Popular music, Video genres (Music Video, Video Essays, Videographic Criticism), Videoaesthetics (Music Video)
Architecture, Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)
Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)
Avant-garde, Electronic teaching aids (Streaming, video og læring), Film history (Film technology), Film theory, IT and media
Theory and History of Art, Cultural forms of expression, Enunciation theory, Language Philosophy (language, signs and images), Literature, Modern aesthetics (starting with Baumgarten), Phenomenology, Philosophers (Giorgio Agamben, Jacques Derrida, Michel Foucault), Philosophy of Science, Poetics, poetry and philosophy, Structuralism, Theory and History of Aesthetics, Visual art
Aesthetics and art, Canon, Classical rhetoric, History of aesthetics after 1735, Interpretation, Language philosophy, Literary epochs, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Party speeches, Philosophical aesthetics, Philosophy of education and history of the concept of education, Philosophy of science for the humanities, Poetics, poetry and philosophy, Political rhetoric, Public speeches, Rhetoric and philosophy, Rhetorical analysis, Spin, Text theory and analysis, The Danish Queen's New Year speeches, The aesthetic in the modern world, The concept of the work, The linguistic turn, Visual art
Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)
Art music (American and European Postminimalism), Film (Film music), Film history (Film music), Music culture, Sound culture (Phonographic music)
Theory and History of Art, Avant-garde (Collage, Dadaism, Surrealism), Cultural forms of expression (gender, sexology, sexuality), Interdisciplinary aesthetics, Text theory and analysis (Ekphrasis), Visual analysis
Contemporary art, Danish and international institutions of culture, Digital aesthetics (AI art, Artificial Intelligence), Digital art, net art, software art, Digital installations, Globalisation, History of aesthetics after 1735, Modern aesthetic theory, Multimediality/cross-mediality, Visual analysis, Visual art (Art from China, Contemporary Art, Non-Western Art), Visual art
Aesthetic analysis, Art on the internet, Avant-garde, Books as a medium (including digital literature), Climate and culture (Climate art), Computer Games, Digital Art and Culture, Computer games, Contemporary art, Digital Media, Digital aesthetics, Digital aesthetics, Digital art, net art, software art, Digital culture and communication, Digital culture, net culture, hacker culture, software culture, Digital literature, narration/storytelling, hypertext, Digital literature, narration/storytelling, hypertext, net literature, Electronic art, Hypermedia, Hypertext, Interdisciplinary aesthetics, Interface, Media, Media theory and criticism, Modern aesthetic theory, Multi-aesthetics, Multimedia, Politics of culture, Theory and History of Aesthetics, Visual art, Visual machines
Advertising, Film, Photography, Visual analysis (Feminism, Psychoanalysis, Semiology/semiotics), Visual culture (Children's drawings, Everyday images, Overlooked signs), history of art (Images of children, Images of girls)
Contemporary art, Museum communication (Exhibitions, Knowledge production, politics of display, politics of representation), Politics of culture, Visual analysis, Visual art
Aesthetic analysis, Contemporary art (Olfactory Aesthetics, Smell), Digital aesthetics (Affect, Deepfakes, Digital Images), Literary genres (Concrete Poetry), Media theory and criticism
Aesthetics and Philosophy of Art, Aesthetics and art, Art as an institution, Avant-garde, Contemporary art, Everyday life, Historical perceptions of art, History of aesthetics after 1735, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Modernity, Organisation and management theory, Political and Economic Philosophy and History of Ideas, The aesthetic in the modern world, The concept of the work, Working Life and the Labour Market
Theory and History of Art (Theory and History of Art), Concept of Culture (Concepts of Culture), Digital Media (Digital Media), Film aesthetics (Film aesthetics), Film analysis (The Films of Lars von Trier), Film and video (Film and video), Film history (Film history), Film theory (Film Theory), Globalisation (Globalisation), Multimedia Aesthetics and Digital Art (Multimedia Aesthetics and Digital Art), Radio and TV (Radio and TV), Scandinavian Countries (Nordic countries), Theory and Analysis of Culture (Theory and analysis of Culture), Theory and History of Aesthetics (Theory and History of Aesthetics)
Art on the internet, Digital aesthetics, Digital art, net art, software art (Critical Data Studies, Curating, Curating Data), Visual analysis
Buddhism, Ethnicity, History of religion, Material culture, Music and identity, Other countries (Himalaya, Nepal, Tibet), Rituals, Visual culture