Filter by selecting one or more of the following keywords...
Theory and Analysis of Culture, Books as a medium (including digital literature) (History of the Book, Paratexts, The materiality of the book), Climate and culture, Cultural forms of expression, Digital literature, narration/storytelling, hypertext (Twitter fiction), High and low culture, Historiography of literature, History of criticism, Literary epochs (20th Century American literature, Cormac McCarthy, David Foster Wallace, Don DeLillo, Jennifer Egan, Jonathan Franzen, Modernism, Postironical literature, Postmodernism, Thomas Pynchon, Vladimir Nabokov, William Gibson), Literature, Media, Text theory and analysis, The literary market (Serialization), USA
Digital aesthetics (Artificial Intelligence), Media theory and criticism, Modern aesthetics (starting with Baumgarten), Phenomenology, Philosophers (Charles Sanders Peirce, Maurice Merleau-Ponty), Philosophical aesthetics, Philosophy of science
Contemporary art, Golden Age, Modernity, Museum communication, Museums (history, layout, architecture, functions), Visual analysis (Art historiography, Theory of art), history of art (Avant-garde, modernism, painting)
Anthropology (Northern Uganda, Restorative Justice, Transitional Justice), Ethnography
Competence development, creativity and innovation, Entrepreneurship, Experience economy, Industrial marketing, Innovation, Innovation policy, Marketing and Strategy, Marketing theory, Modernity, Organisation and management theory, Philosophy of science, Research and Innovation in the Business Community
Anthropology (Environmental anthropology, Ocean anthropology, Visual anthropology), Climate and culture (Aquaculture, Environmental History, Marine and Coastal Management, Ocean Acidification), Film analysis (Film production, Image politics, Visualizations of nature), Society and citizens (Coastal and Marine policy, Environmental policy, Marine guardianship), Studies of science and technology (Philosophy of science and technology, Philosophy of science in practice, Science communication)
Anthropology, Cultural change, Ethnicity, Ethnography, Globalisation, Mexico (Huave, Oaxaca), Other countries (El Salvador), Participant observation, Power and politics, The idea of progress, Tradition
Aesthetic interaction, Avant-garde, Contemporary art, Critique of civilisation (starting with Rousseau), Democracy and power, Digital aesthetics, Digital art, net art, software art, Digital literature, narration/storytelling, hypertext, net literature, Feminist critique of technology, Gender and technology, Ideology and attitudes, Media politics, Modern aesthetic theory, Philosophical aesthetics, Philosophy and history of technology, Recent french philosophy, Visual culture, Visual machines
Identity (Globalisation in the past & the present,, Memory and Identity,, Memory and Narration,, Region National Identity in Europe,, Region National Identity in Italy), Literary epochs (Courtly Love & Culture,, Dante, Petrarca & Boccaccio,, History of the Concept of Love in Europe, Italian Literature and Culture in the Miidde Ages & Renassance,), Modernity (Culture, Media and Globalisation,, Popular Culture, Postmodernity and Postmdernism,), Text theory and analysis (Discourse & Culture Analysis,, Literature and Politics, Literature and Society,, Narratology,, The Fantastic,)
Cultural contact (American culture), Digital literature, narration/storytelling, hypertext, net literature (Cyberpunk literature), Everyday life (American folk and consumer culture, Romantic fiction, Women in America), Fashion (19th century American women, Women in Politics), Film analysis (American movies), Identity (Asian-Americans), Literary epochs (Thomas Pynchon, US literature), Modernity (technology), Popular culture (Conspiracy culture, Disney, Marilyn Monroe), Social history (American First Ladies), USA, Visual art (American)
Anthropology (Ethnography, South Asia), Cleaner technology, Environmental damage (Plastic Pollution, Waste Management), Studies of science and technology (Actor-Network Theory, More-than-human Ethnography, Plastic)
Aesthetics and art, Art as an institution, Avant-garde, Critical theory, Film aesthetics, Film history, History of aesthetics after 1735, History of historical understanding, Media theory and criticism, Modern philosophy of history, Philosophical aesthetics, The idea and intellectual history of the university, The knowledge society, history of art
Avant-garde, Books as a medium (including digital literature), Criticism of translation, Cultural change, Cultural contact, Cultural forms of expression, Cultural theory, English, Film, Francophony, French, French in the world, past and present, Globalisation, High and low culture, Identity, Literary epochs, Literary genres, Modernity, Nationalism, Poetics, poetry and philosophy, Text theory and analysis, Translation methods, Translation theory, Visual analysis, World literature
Aesthetics and everyday life, Cultural change, Cultural forms of expression, Cultural theory, Everyday life, Globalisation, High and low culture, Identity, Literary epochs (Bildungsroman, theories of Bildung, The modern novel), Modern aesthetic theory, Modernity, Popular culture, World literature (globalization and literature)
Theory and Analysis of Culture, Aesthetics and Philosophy of Art, Change processes, Citizen involvement, Concept of Culture, Culture and Society, Democracy and Citizens, Democracy and power, Digital Media, Environment, Everyday Life (regulation and control), Everyday life, Innovation, Institutions of Culture and Museology, International Affairs, Language philosophy, Literature, Material culture, Metaphysics and Ontology, Modern philosophy of consciousness, Multimedia Aesthetics and Digital Art, Politics of culture, Research and society, Theory and History of Aesthetics, Thinkers
Anthropology (Climate change, Collaboration, Environment, Food, Greenland, Human-Animal Relations, Hunting, Kinship / Relatedness, Landscape, Loneliness, Resources, Taste, the Biosocial, Tracking)
Theory and Analysis of Culture, Attitudes and Politics, Language philosophy, Metaphysics and Ontology, Philosophers ("Enjoyment", Alain Badiou, French Philosophy, Jacques Derrida, Jacques Lacan, Psychoanalysis, Radical Philosophy, Slavoj Žižek, Slovenian Philosophy, Structuralism), The aesthetic in the modern world
Theory and Analysis of Culture, Anthropology and Ethnography, Attitudes and Politics, Australia and Oceania, Concept of Culture, Contemporary Denmark, Contemporary Europe, Contemporary World, Culture and Society, Democracy and Citizens, Drama, English, Europe, Faith, Historical Method, Language Philosophy (language, signs and images), Language Use (text and conversation), Language, Thought and Society (psycho/sociolinguistics), Linguistics (grammar etc), Literature, Modern History, Europe, Modern History, World, Music, North America, Polar Regions, Religion, Research Methods, Rhetoric, Scandinavian Countries, State, Region and Municipality, The Bible, The Church, Theory and History of Aesthetics, Theory and History of Art, Thinkers
Books as a medium (including digital literature), Interdisciplinary aesthetics (Perception and cognition, Sound and image), Musical analysis (Music and emotions, Music in audiovisual media, Musical underscore, incidental music), Popular music (Television- and film music), Radio history, Semiotics and semiology (Cognitive semantics, cognitive theory), TV aesthetics (Danish tv documentaries, Jingles and musical underscore in television, Portraits of politicians in Danish documentaries)
Anthropology (Denmark, Europe, Scandinavian), Ethnographic films (Film, Multimodal Anthropology, Podcasting), Religion and politics (Dialogue, Diapraxis, Religious Encounters), Urban planning (Architecture, Design Strategy, Socially Sustainable Urban Design Strategies)
Cultural forms of expression (cultural memory, literacy, myth and mythology, orality), Literary epochs, Text theory and analysis (Danish Rhymed Chronicle, Old Norse historioraphy, Old Norse literature, Old Norse myths, saga literature), World literature (hagiography, historiography, Literature and Globalization, Religious literature)
Anthropology (Homeliness, Place and space), Ethnography, Identity, Participant observation (Institutional Ethnography), Pegagogical anthropology (childhood anthropology), Theories of learning (Educational anthropology)
Anthropology, Cultural forms of expression (Fashion.), Everyday life (The phsychopathology of everyday life), Fashion, Globalisation (Exile and globalization. Globalisering-homeland. Theories of space and place. Emotional geografi.), High and low culture (Taste and distaste. Karnevalism.), History of aesthetics after 1735, Identity (Identity and place.), Late Antiquity and Christian ethics (The seven deadly sins. The sin of sloth.), Literary epochs (Realism. Modernism.), Literary institutions, Modernity, Photography (Photography and memory), Poetics, poetry and philosophy (Peotics of melancholy.), Psychology of creativity (Melancholy and creativity. Exile, loss and creativity.), Psychology of crisis and trauma (Eksil), Psychology of emotions (Melancholy. Nostalgia.Ennui. Envy. Sloth. Boredom. Anger), Religious movements (Ascetism. The sven deadly sins), Travel literature, World literature
Cultural forms of expression (Humor, Jokes, Storytelling), Culture and cognition (Biocultural studies), Film theory (Cognitive film theory), Text theory and analysis (Cognitive literary studies, Evolutionary literary studies), Video genres (Comedy)
Concept of Culture, Corpus linguistics (discourse analysis), Critique of civilisation (starting with Rousseau) (barbarianism, The history of the concept of civilization), Culture and Society, Democracy and Citizens, Globalisation (transnational movements), History of mentalities (the history of the concept of Europe), Identity (European identity), Ideology and attitudes (European ideologies), Intellectual history of the nation and welfare state, Meeting of cultures (Europe and its others, theories on cultural encounters), Nationalism (The conceptual history of nationalism), Philosophers, Political history (The history of European democracy), Structuralism (discourse theory), Theories of democracy
Aesthetic analysis, Aesthetics and art, Aesthetics and everyday life, Communication of art, Contemporary art, Culture of communication, Danish and international institutions of culture, Digital aesthetics, History of aesthetics after 1735, Installations, Media theory and criticism, Modern aesthetic theory, Museum communication, Theory and History of Art, Visual analysis, Visual art (Sculpture), Visual culture
Entertainment, Ethnography, Everyday life, Experience economy, Interaction design, Media theory and criticism, Multimediality/cross-mediality, Participant observation, Popular culture, Qualitative methods, Reception analysis/reception research, Reception analysis/reception research, Theories on use and interaction
Advertising aesthetics (puns, wordplay), Books as a medium (including digital literature) (The materiality of the book), Cognition theory (puns), Cultural forms of expression (Self-Fashioning, Self-Fashioning in media), History of criticism, Literary epochs (Avant-garde, Contemporary novels (2000-2006), contemporary poetry, Postmodernism), Literary institutions, Literature, Lyrics, Poetics, poetry and philosophy (Claus Beck-Nielsen, Das Beckwerk, Gilles Deleuze, Humour, J.P. Jacobsen, Knud Romer, Lyric, metaphor, Morten Søndergaard, Niels Frank, Niels Lyngsø, Per Højholt, Peter Laugesen, Poetry, puns, Simon Grotrian, Ursula Andkjær Olsen), Printed Media, Text theory and analysis (Authorship, Autobiography, Autofiction, Deconstruction, didactics of literature, Fiction, Jens Peter Jacobsen, literary criticism, Narrative theory, Narratology, Poetry, Self-Fashioning, Theory of fiction, Witness Literature, Wordplay), The concept of the work
Architecture, Avant-garde (Adolf Loos, Collage, Denise Scott Brown, Rem Koolhaas, Robert Venturi, Surrealism), Contemporary art (Biomorph architecture, Contemporary architecture, Digital architecture, Hal Foster, Tectonic culture), Cultural theory (Collective memory, Memory studies), Design (Arts and Crafts, Bauhaus, Frank Lloyd Wright), Germany (Urban history of Berlin), Golden Age (Genre painting), High and low culture, Historiography (Charles Jencks, Manfredo Tafuri, Reyner Banham, Sigfried Giedion), History of aesthetics after 1735 (Christoph Menke, Empathy, Nelson Goodman, The sublime), Interpretation, Modern aesthetics (starting with Baumgarten) (Christoph Menke, Empathy, Nelson Goodman, The sublime), Modernity (Critical Theory, Frankfurt School), Modernity, late modernity and post-modernity (Fredric Jameson, Manfredo Tafuri, Odo Marquard, Thomas P. Brockelman), Museums (history, layout, architecture, functions) (Museum architecture), Philosophical aesthetics, Philosophical aesthetics, The aesthetic in the modern world (Gesamtkunstwerk, Monumentality, Theatricality), The concept of the work, Urban history (Garden city, Metropolis, Urbanism), Urban history (Megalopolis), Visual analysis (Vilhelm Wanscher), Visual art (Genre painting), history of art (Danish Golden Age, Dutch Golden Age, Romanticism)
Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)
Cultural change (forgiveness, individual and cultural memory), Globalisation (literature and globalization), Historiography of literature, Literary epochs (Europe after 1700), Modernity (urban culture), Narrativity/storytelling (the function of storytelling), Philosophy of education and history of the concept of education ('Bildung' and secondary education), Poetics, poetry and philosophy (conceptions of nature, memory), Semiotics and semiology (discourse analysis, literary and cultural semiotics), Structuralism, World literature (globalization and literature)
Cultural forms of expression, Enunciation theory, Language Philosophy (language, signs and images), Literature, Modern aesthetics (starting with Baumgarten), Phenomenology, Philosophers (Giorgio Agamben, Jacques Derrida, Michel Foucault), Philosophy of Science, Poetics, poetry and philosophy, Structuralism, Theory and History of Aesthetics, Theory and History of Art, Visual art
Aesthetics and art (Aesthetic analysis, Digital aesthetics), Applied ethics and bioethics/environmental ethics (Digital ethics), Contemporary art (The art of disappearing), Feminist critique of technology (Activism, Dekolonialisme, Digital Humanities, Digital learning, Posthumanism, Queer theory, Transformative Digital Humanities), History of technology (Anthropometry, Biopolitics, Eugenics, Phrenology, Physiognomic renaissance, Physiognomy), Media (Biometrics, Composite photography, DNA, Facial recognition), Philosophers (Adam Harvey, Alexander Galloway, Bernadette Wegenstein, Bernard Stiegler, Donna Haraway, Elizabeth Freeman, Emmanuel Lévinas, Eugene Thacker, Félix Guattari, Gilles Deleuze, Giorgio Agamben, Heather Dewey-Hagborg, Jack Halberstam, Jacques Rancière, Jenny Edkins, Joseph Pugliese, José Esteban Muñoz, Judith Butler, Kelly Gates, Lee Edelman, Lucy Hartley, Mark BN Hansen, Micha Cárdenas, Michel Foucault, Mikkel Bolt, Sandra Kemp, Sara Ahmed, Shoshana Magnet, Zach Blas), Visual culture (Camouflage, Masking ban, Masks, Veils)
Climate and culture (Climate change discourses, Climate literature), Ethics and sustainability (Literature, culture and sustainability), Film history (Disaster film, Representations of nature in film, Sciene Fiction), Literary epochs (Modern British and American literature, Modernism, Post-Romanticism, Postmodernism, Romanticism, Transcendentalism), Literary genres (Apocalyptic and postapocalyptic texts, Back-to-nature literature, Ecopoetry, Pastoral, Science Fiction, Utopian/dystopian fiction), Modernity (Alternative culture, Countercultures, Environmentalism, Political ecology), Text theory and analysis (Cultural Studies, Ecocriticism, Literature and technology, Modern literary theory, New Historicism)
Africa in general, Analysis of the media as an institution, Citizen involvement, Communication in organisations, Communication theory, Democracy and power, Development cooperation (developing countries), Elections and voters, Ethnicity, Globalisation, Media, Media politics, Media theory and criticism, Politics of culture, Power and politics
Cultural history (Political theory, political culture), Historiography, Modernity, Philosophy of history, Philosophy of science, Political history (State building and social revolutions), Popular culture
Avant-garde (Collage, Dadaism, Surrealism), Cultural forms of expression (gender, sexology, sexuality), Interdisciplinary aesthetics, Text theory and analysis (Ekphrasis), Theory and History of Art, Visual analysis
Civil rights (Censorship in the US, Freedom of expression in the US), Communication theory, Cultural change, Cultural history, Cultural theory, Everyday life, Film aesthetics, Film analysis, Film history, Film theory, High and low culture, Material culture (Community development, Tourism), Modernity, Popular culture, Semiotics and semiology, Social history, USA
Actor-network-theory (ANT), Behavioural influences/ changes, Behavoural influences/ changes, Climate and culture, Climate and society, Consumers, Environmental communication, Environmental communication, Everyday life, Material culture, Natural resources, Social Relations, Society, Technology and Science, Socio-technical assessments and institutions, Studies of science and technology, Text analysis, Text analysis
Aesthetic analysis, Art on the internet, Avant-garde, Books as a medium (including digital literature), Climate and culture (Climate art), Computer Games, Digital Art and Culture, Computer games, Contemporary art, Digital Media, Digital aesthetics, Digital aesthetics, Digital art, net art, software art, Digital culture and communication, Digital culture, net culture, hacker culture, software culture, Digital literature, narration/storytelling, hypertext, Digital literature, narration/storytelling, hypertext, net literature, Electronic art, Hypermedia, Hypertext, Interdisciplinary aesthetics, Interface, Media, Media theory and criticism, Modern aesthetic theory, Multi-aesthetics, Multimedia, Politics of culture, Theory and History of Aesthetics, Visual art, Visual machines
Citizen involvement (Activism, Art-ivism), Contemporary art, Film analysis, Globalisation, Media theory and criticism, Nationalism (Culture War), Politics of culture
Contemporary art, Museum communication (Exhibitions, Knowledge production, politics of display, politics of representation), Politics of culture, Visual analysis, Visual art
Anthropology, Design processes (Design processes), Ethnography (Ethnographic Fieldwork), Interaction design (Interaction design), Qualitative methods (Qualitative methods), User participation in systems development (participatory design) (Participatory Design)
Communication theory, Cultural forms of expression, Digital culture and communication (Digital parenting), Everyday life, Film aesthetics, Film analysis, Internet theory, Interpersonal communication on the internet, Multimediality/cross-mediality, Reception analysis/reception research, Sociality on the internet, Text analysis, Website analysis
Aesthetic analysis, Contemporary art (Olfactory Aesthetics, Smell), Digital aesthetics (Affect, Deepfakes, Digital Images), Literary genres (Concrete Poetry), Media theory and criticism
Cultural forms of expression (Affect), Internet, Media theory and criticism (Social media), Narratives of illness (Health, Illness), Perceptions of illness, Qualitative methods (Affective methodologies, Discourse analysis)
Aesthetics and Philosophy of Art, Aesthetics and art, Art as an institution, Avant-garde, Contemporary art, Everyday life, Historical perceptions of art, History of aesthetics after 1735, Modern aesthetic theory, Modern aesthetics (starting with Baumgarten), Modernity, Organisation and management theory, Political and Economic Philosophy and History of Ideas, The aesthetic in the modern world, The concept of the work, Working Life and the Labour Market
Theory and Analysis of Culture (Theory and analysis of Culture), Concept of Culture (Concepts of Culture), Digital Media (Digital Media), Film aesthetics (Film aesthetics), Film analysis (The Films of Lars von Trier), Film and video (Film and video), Film history (Film history), Film theory (Film Theory), Globalisation (Globalisation), Multimedia Aesthetics and Digital Art (Multimedia Aesthetics and Digital Art), Radio and TV (Radio and TV), Scandinavian Countries (Nordic countries), Theory and History of Aesthetics (Theory and History of Aesthetics), Theory and History of Art (Theory and History of Art)
Anthropology (Argentina, emotions, history, identity, Justice, kinship, play, psychoanalysis, relatedness, Self, social reconstruction, Southern Cone, temporality, transitional justice)
Actor-network-theory (ANT) (Post-ANT), Anthropology (Anthropology of Science & Technology, Sociality), Comparative methods, Ethnography, History of anthropological theory, Interviews, Japan (Anthropology of Japan), Participant observation, Qualitative methods, Studies of science and technology (Artificial Intelligence, Experimentation, Social Robotics)
Critical theory, Environmental technology (critical environmental data), Interdisciplinary aesthetics (contemporary architecture and design theory and history, visual culture), Politics of culture (critical sustainabilities, critical urbanisms, urban and technological 'futures')
Books as a medium (including digital literature), Classical logic and syllogism studies, Communication in organisations, Elections and voters, Ethical and moral forms of reasoning, Ideology and attitudes, Learning, didactics and education, Literature, Lives of other animal and human species past and present, Modern logic, Narrativity/storytelling (narratology, the function of storytelling), Philosophy of science for the humanities, Poetics, poetry and philosophy, Political communication, Research into Research, Semiotics and semiology, Structuralism, Text analysis, Text theory and analysis (Autofiction, Bret Easton Ellis, Deconstruction, didactics of literature, Edgar Allan Poe, History of Literary Theory, Humor, James Frey, narrative theory, Narratology, Short Prose, Steen Steensen Blicher, Svend Åge Madsen, Witness Literature), The literary market