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Aesthetics and art, Contemporary art, Digital aesthetics, Digital culture, net culture, hacker culture, software culture, Film aesthetics, Film analysis, Film history, Film production, Film theory, Interface, Internet, Media politics, Media theory and criticism, Philosophical aesthetics, Videoaesthetics, Virtual reality, augmented reality, interactive space, Visual art, Visual culture, history of art
Aesthetic analysis, Aesthetic interaction, Aesthetics and art, Avant-garde, Computer graphics and sound, Digital aesthetics, Digital installations, Digital music and sound, Electronic art, Experience-oriented IT, History of aesthetics after 1735, Media theory and criticism, Photography, Sound art, Sound art, Sound culture, Visual art, Visual culture
Computers (Digital Audio), Digital music and sound (Music Notation and its Structure), Digital sound and music, Ear-nose-throat (Psychoacoustics), Signal processing of sound
Computer Games, Digital Art and Culture, Augmented reality (media facades, mobile applications, Smart Cities, Urban media), Digital Media, Digital and physical spaces (New interaction technologies, Social interaction), Forms of interaction (iPhone, mobile ecologies, new forms of interaction, Urban interactions), Gender and technology (children and mobile/cell phones, children's popular culture, Facebook, social media, tweens), Globalisation, technology (Hyperlocal news), Interaction design (new interaction technologies), Interactive rooms, buildings and urban environments (interactive media facades), Mobile systems and interfaces (Asia, Japan, Keitai, mobile gaming, pervasive play, South Korea), Model-driven systems development (digital habitats, multi-disciplinary models for design), Models and logic for interactive systems, Pervasive computing interaction (children, play and games), Robots (children and technology), Spatial IT (GPS, Internet of Things, location-based services, social spaces), Theories on use and interaction (computer semiotics), Urban computing (Smart Cities), User participation in systems development (participatory design) (designing with children)
Computer games (Horror, Survival horror), Film theory (Cognitive theory, Evolutionary theory), Historiography of literature, Literary genres (Apocalyptic and postapocalyptic texts, Fantasy, Gothic, Horror, Science Fiction), Philosophy of science for the humanities, Text theory and analysis (Literary Darwinism), Video genres (Horror Film)
Cultural contact (American culture), Digital literature, narration/storytelling, hypertext, net literature (Cyberpunk literature), Everyday life (American folk and consumer culture, Romantic fiction, Women in America), Fashion (19th century American women, Women in Politics), Film analysis (American movies), Identity (Asian-Americans), Literary epochs (Thomas Pynchon, US literature), Modernity (technology), Popular culture (Conspiracy culture, Disney, Marilyn Monroe), Social history (American First Ladies), USA, Visual art (American)
Computer Games, Digital Art and Culture, Design and Systems Development, Design processes, Digital set design, Experience-oriented IT, Forms of interaction, Interaction design, Mixed reality, Multimedia, Systems development methods, User participation in systems development (participatory design), Virtual Reality
Aesthetic interaction, Applied ethics and bioethics/environmental ethics, Consumer rights, Democracy and power, Digital culture, net culture, hacker culture, software culture, Ecology, Environmental ethics, Environmental principles (sustainability, prevention, caution), Ethics and sustainability, Ethnography, Feminist critique of technology, Gender, Hermeneutics, Identity, Ideology and attitudes, India, Interaction design, Interpretation, Interpretation theory, Interviews, Material culture, Minorities, Modern philosophy of consciousness, Multimedia, Narrativity/storytelling, Participant observation, Perceptions of the body, Phenomenology, Philosophy of sciences and mathematics, Political rhetoric, Politics of technology, Post-colonialism, Power and politics, Public health, Qualitative methods, Questionnaire Surveys, Semiotics, Sexual advice, Sexuality, Socio-technical assessments and institutions, Software engineering , Studies of science and technology, Stylistics, Tangible and embodied interaction, Theories on use and interaction, USA, Understanding nature, User participation in systems development (participatory design), Women employment
Computer games (Horror), Cultural change (Cultural Evolution), Ethical and moral forms of reasoning, Media theory and criticism (Biocultural theory), Modern aesthetic theory (Cognitive media theory), Popular culture, Psychology of cognition (Evolutionary psychology, Moral psychology), Social psychology (Social psychology of moral judgment)
Digital aesthetics, Digital sound and music, Ethnography, Everyday life, Interdisciplinary aesthetics, Internet, Interpersonal communication on the internet, Qualitative methods, Reception analysis/reception research, Sociality on the internet, Virtual reality, augmented reality, interactive space
Avant-garde (Fluxus, repetition, Per Kirkeby), Contemporary art (Postmodern Art), Digital museology (Virtual museums, their history and technology), Museum communication (Cybermuseology), Museums (history, layout, architecture, functions)
Books as a medium (including digital literature) (Bog-objekter, Bogens materialitet, Boghistorie, Publishing studies), Childrens literature, Digital aesthetics, Digital literature, narration/storytelling, hypertext, net literature, Literary institutions (Kulturkritik, Publishing studies), Multimediality/cross-mediality (Adaptation , Transmedia storytelling, Transmedia worldbuilding), Text theory and analysis, The literary market (Book History, Publishing studies), Virtual reality, augmented reality, interactive space
Digital art, net art, software art, Distributed software systems (Parallel programming), Scientific calculations (Parallel programming)
Contemporary art, Danish and international institutions of culture, Digital aesthetics, Digital art, net art, software art, Digital installations, Globalisation, History of aesthetics after 1735, Modern aesthetic theory, Multimediality/cross-mediality, Visual analysis, Visual art (Chinese Art, Contemporary Art, Non-Western Art)
Computer Games, Digital Art and Culture, Aesthetic analysis, Art on the internet, Avant-garde, Books as a medium (including digital literature), Climate and culture (Climate art), Computer games, Contemporary art, Digital Media, Digital aesthetics, Digital aesthetics, Digital art, net art, software art, Digital culture and communication, Digital culture, net culture, hacker culture, software culture, Digital literature, narration/storytelling, hypertext, Digital literature, narration/storytelling, hypertext, net literature, Electronic art, Hypermedia, Hypertext, Interdisciplinary aesthetics, Interface, Media, Media theory and criticism, Modern aesthetic theory, Multi-aesthetics, Multimedia, Politics of culture, Theory and History of Aesthetics, Visual art, Visual machines
Art on the internet, Contemporary art, Digital aesthetics, Digital aesthetics, Digital art, net art, software art, Digital culture, net culture, hacker culture, software culture, Digital installations, Installations, Interface, Internet, Internet theory, WWW, Web production, Webtechnology
Digital aesthetics, Digital installations, Drama analysis, Dramaturgy (dramaturgical models, Theatre and Drama in Education), Modern drama, Theatre analysis (Performance analysis)
Avant-garde (Bioart, Cubism and Futurism, Duchamp, Land Art), History of historical understanding (Art historiography), Theory and History of Aesthetics (Art, technology, nature, Big History, Biosemiotics, Cultural Evolution, Deep History, Posthumanism), Virtual reality, augmented reality, interactive space (Bioart), Visual analysis