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History and Archaeology › Renaissance, Europe
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Atzbach, Rainer
Archaeology of buildings (Castles, Concealed Finds, Timber-Framed Houses), Medieval archaeology, Renaissance archaeology
Bek-Thomsen, Jakob
Actor-network-theory (ANT), Cultural history, Feminist critique of technology, Historiography, History of Science and Technology, History of ideas/science for the sciences, History of medicine, History of mentalities, History of technology, Perceptions of illness, Philosophy of education and history of the concept of education, Philosophy of history, Philosophy of science for the humanities, Political economics and economic criticism, Studies of science and technology
Brænder, Morten
Digital culture and communication (blogs, milblogs), History of mentalities (english civil war, puritanism), Identity, Medieval political philosophy, Nationalism (Nationalism and religion), Qualitative Methods, Sociology of religion (Civil religion, Religion in public space), State and sovereignty, USA (Religion in the USA), Violence
Harste, Gorm
Conflict, Critical theory, Critique of civilisation (starting with Rousseau), Cultural change, Current philosophy of history and contemporary diagnostics, Democracy and power, Development of states, Ethical and moral forms of reasoning, Europe in general, European integration, France, Germany, Modern philosophy of history, Modernity, late modernity and post-modernity, Organisational ethics, Political history, Power and politics, Scientific history of the social sciences, Security, The EU and Europe, The international community
Kuhlmann, Annelis
Renaissance, Europe (framing of theatrical forms), Baltic states (contemporary theatre performances, The theatre as a tools of historiography), Cultural history, Denmark (Contemporary Danish History of Theatre), Drama analysis (Postwar drama), Dramatic art (Danish traditions of directing, Theatre Directing in the Postwar Period), Dramaturgy (Applied dramaturgy in mise en scenes), East European and East Asian Languages (Russian, Chinese, Japaneseetc), France (French drama and theatre, Mise en scene as incorporated in French drama), French, Modern aesthetic theory, Modern drama (Contemporary European Drama), Performance (Performance in a theatrical use of the space), Russia (Russian art of acting, Russian directing (mise en scene) in the theatre, Russian scenography and stage design, Russian Theatre Pedagogics, Stanislavsky's writings, The heritage from Stanislavsky), Russian, Theatre analysis (Odin Teatret, Performance analysis, Terminology of the art of acting, the professional language of the director, The staging of classics, The verbalisation of the mise en scene, Theatre conventions, Theatre historiography, Theatre history, Theatricality), Theory and History of Aesthetics