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Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines

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Transductive Wind Music : Sharing the Danish Landscape with Wind Turbines. / Højlund, Marie; Riis, Morten S.

I: Leonardo Music Journal, Bind 30, 12.2020, s. 90-94.

Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avisTidsskriftartikelForskningpeer review

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@article{1282d8cce4214d0e90311cf03543a213,
title = "Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines",
abstract = "In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.",
author = "Marie H{\o}jlund and Riis, {Morten S.}",
year = "2020",
month = dec,
doi = "10.1162/lmj_a_01098",
language = "English",
volume = "30",
pages = "90--94",
journal = "Leonardo",
issn = "0024-094X",
publisher = "The MIT Press",

}

RIS

TY - JOUR

T1 - Transductive Wind Music

T2 - Sharing the Danish Landscape with Wind Turbines

AU - Højlund, Marie

AU - Riis, Morten S.

PY - 2020/12

Y1 - 2020/12

N2 - In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.

AB - In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.

U2 - 10.1162/lmj_a_01098

DO - 10.1162/lmj_a_01098

M3 - Journal article

VL - 30

SP - 90

EP - 94

JO - Leonardo

JF - Leonardo

SN - 0024-094X

ER -