Resistance is fertile: On art and oligoptics

Christopher Gad; Lone Koefoed Hansen

Resistance is fertile: On art and oligoptics

Bidragets oversatte titel: Resistance is fertile: On art and oligoptics

Publikation: Konferencebidrag › Konferenceabstrakt til konference › Forskning

Abstract

Through an analysis of both Jill Magid's artwork "Surveillance Shoe" (2000-7) and Bruno Latour's notion of "oligopticon" (as developed in "Paris, Invisible City" (1998)), the paper discusses the notion of surveillance. We address that surveillance is an always specific, multiple, and situated phenomenon, and thus question dominant metaphors in surveillance discourse, e.g. panopticon and Big Brother.

Bidragets oversatte titel	Resistance is fertile: On art and oligoptics
Originalsprog	Engelsk
Publikationsdato	2010
Antal sider	1
Status	Udgivet - 2010
Begivenhed	EASST010. Practicing science and technology, performing the social - Trento, Italien Varighed: 1 sep. 2010 → 4 sep. 2010 Konferencens nummer: 10

Konference

Konference	EASST010. Practicing science and technology, performing the social
Nummer	10
Land/Område	Italien
By	Trento
Periode	01/09/2010 → 04/09/2010

Emneord

overvågning
kunst
STS
digital æstetik
digital kultur

Citationsformater

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TY - ABST

T1 - Resistance is fertile

T2 - EASST010. Practicing science and technology, performing the social

AU - Gad, Christopher

AU - Hansen, Lone Koefoed

N1 - Conference code: 10

PY - 2010

Y1 - 2010

N2 - Through an analysis of both Jill Magid's artwork "Surveillance Shoe" (2000-7) and Bruno Latour's notion of "oligopticon" (as developed in "Paris, Invisible City" (1998)), the paper discusses the notion of surveillance. We address that surveillance is an always specific, multiple, and situated phenomenon, and thus question dominant metaphors in surveillance discourse, e.g. panopticon and Big Brother.

AB - Through an analysis of both Jill Magid's artwork "Surveillance Shoe" (2000-7) and Bruno Latour's notion of "oligopticon" (as developed in "Paris, Invisible City" (1998)), the paper discusses the notion of surveillance. We address that surveillance is an always specific, multiple, and situated phenomenon, and thus question dominant metaphors in surveillance discourse, e.g. panopticon and Big Brother.

KW - overvågning

KW - kunst

KW - STS

KW - digital æstetik

KW - digital kultur

KW - surveillance

KW - art

KW - sts

KW - digital aesthetics

KW - digital culture

M3 - Conference abstract for conference

Y2 - 1 September 2010 through 4 September 2010

ER -

Resistance is fertile: On art and oligoptics

Abstract

Konference

Emneord

Fingeraftryk

Citationsformater