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Renegotiating Data Ecologies through Trees, Soil, and Pigs’ Lungs

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This article investigates examples of artistic practices that all somehow deal with establishing relations to the world and environment around us in an age of pervasive technological mediation which runs parallel with increasing threats of pollution and climate change – partly generated exactly by our consumption and dependence on technology. Digital interfaces and ubiquitous networks of data streams are constantly filtering our experience of the world, and this often takes place as habitual and hidden processes. Counter to this non-reflective relation between the world and technology, a number of contemporary artists are working critically with re-defining how we engage with data and digital technologies in different ways. In this article, the theme of ecological modes of engagement is discussed through three art works/projects which address one of the most pressing issues of the Anthropocene, namely our measurable, environmental impact upon the world, as well as our possibilities for connecting, in atypical ways, with the signals and currents that run through the heavily technologized atmospheres of our city spaces.
TidsskriftSpheres - Journal For Digital Culture
Antal sider14
StatusUdgivet - 15 dec. 2015


  • climate change, pollution, tangibility, aesthetic politicization, recoding, earthboot

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