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Invasive materialities: War bunkers as disturbing nodes of collaboration

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Invasive materialities: War bunkers as disturbing nodes of collaboration. / Daugbjerg, Mads.

I: Journal of Material Culture, 2022, s. 1-19.

Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avis › Tidsskriftartikel › Forskning › peer review

Harvard

Daugbjerg, M 2022, 'Invasive materialities: War bunkers as disturbing nodes of collaboration', Journal of Material Culture, s. 1-19. <https://journals.sagepub.com/doi/full/10.1177/13591835221136807>

APA

Daugbjerg, M. (2022). Invasive materialities: War bunkers as disturbing nodes of collaboration. Journal of Material Culture, 1-19. https://journals.sagepub.com/doi/full/10.1177/13591835221136807

CBE

Daugbjerg M. 2022. Invasive materialities: War bunkers as disturbing nodes of collaboration. Journal of Material Culture. 1-19.

MLA

Daugbjerg, Mads. "Invasive materialities: War bunkers as disturbing nodes of collaboration". Journal of Material Culture. 2022, 1-19.

Vancouver

Daugbjerg M. Invasive materialities: War bunkers as disturbing nodes of collaboration. Journal of Material Culture. 2022;1-19. Epub 2022.

Author

Daugbjerg, Mads. / Invasive materialities: War bunkers as disturbing nodes of collaboration. I: Journal of Material Culture. 2022 ; s. 1-19.

Bibtex

@article{d113c3e208404d7d8d56417b3d08a2c2,
title = "Invasive materialities: War bunkers as disturbing nodes of collaboration",
abstract = "This article discusses the qualities and affordances of the remaining World War II bunkers still found along Europe{\textquoteright}s Western coastline. Drawing on ethnographic and historical material from a Danish section of the line, and on my involvement in establishing an alternative film festival among these ruins, I explore the bunkers as {\textquoteleft}invasive{\textquoteright} materialities, that is, externally-imposed structures, still conceived in various ways as foreign, intrusive or out of place. The bunkers continue to disturb the status quo, prompting different kinds of responses – of opposition and consternation but also certain kinds of allure and fascination. With the film festival as main case, I trace the bunkers as products of various kinds of collaboration and as natural-cultural amalgams around which questions of protection, ownership, and rights come to matter, socially and materially. I argue that an {\textquoteleft}invasive{\textquoteright} analytics may further our understanding of the different relationships and agencies involved in these dynamics.",
author = "Mads Daugbjerg",
year = "2022",
language = "English",
pages = "1--19",
journal = "Journal of Material Culture",
issn = "1359-1835",
publisher = "SAGE Publications Ltd",

}

RIS

TY - JOUR

T1 - Invasive materialities: War bunkers as disturbing nodes of collaboration

AU - Daugbjerg, Mads

PY - 2022

Y1 - 2022

N2 - This article discusses the qualities and affordances of the remaining World War II bunkers still found along Europe’s Western coastline. Drawing on ethnographic and historical material from a Danish section of the line, and on my involvement in establishing an alternative film festival among these ruins, I explore the bunkers as ‘invasive’ materialities, that is, externally-imposed structures, still conceived in various ways as foreign, intrusive or out of place. The bunkers continue to disturb the status quo, prompting different kinds of responses – of opposition and consternation but also certain kinds of allure and fascination. With the film festival as main case, I trace the bunkers as products of various kinds of collaboration and as natural-cultural amalgams around which questions of protection, ownership, and rights come to matter, socially and materially. I argue that an ‘invasive’ analytics may further our understanding of the different relationships and agencies involved in these dynamics.

AB - This article discusses the qualities and affordances of the remaining World War II bunkers still found along Europe’s Western coastline. Drawing on ethnographic and historical material from a Danish section of the line, and on my involvement in establishing an alternative film festival among these ruins, I explore the bunkers as ‘invasive’ materialities, that is, externally-imposed structures, still conceived in various ways as foreign, intrusive or out of place. The bunkers continue to disturb the status quo, prompting different kinds of responses – of opposition and consternation but also certain kinds of allure and fascination. With the film festival as main case, I trace the bunkers as products of various kinds of collaboration and as natural-cultural amalgams around which questions of protection, ownership, and rights come to matter, socially and materially. I argue that an ‘invasive’ analytics may further our understanding of the different relationships and agencies involved in these dynamics.

M3 - Journal article

SP - 1

EP - 19

JO - Journal of Material Culture

JF - Journal of Material Culture

SN - 1359-1835

ER -