Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avis › Tidsskriftartikel › Forskning › peer review
Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avis › Tidsskriftartikel › Forskning › peer review
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TY - JOUR
T1 - INK - Designing for Performative Literary Interactions
AU - Fritsch, Jonas
AU - Pold, Søren Bro
AU - Vestergaard, Lasse Steenbock
AU - Lucas, Melissa
PY - 2014
Y1 - 2014
N2 - In this article, we present the interactive literaryinstallation Ink, an experimental installation displayed atthe Roskilde library, and the Roskilde Festival, which isdesigned to prompt public reflection on the nature and roleof digital literature. By manipulating three books embeddedwith sensors, and watching text visualized on a 55’’screen, members of the public select from a range of predefinedsentences, previously created by a Danish author,and stored in a database. Squeezing the books alters eachpoetic line by degrees. The final poems print onto a libraryreceipt for their producers and upload to a blog for publicviewing. We present (1) design challenges to an installationmeant to persuade people to engage affectively with theergodic nature of digital literature and (2) an in-depthanalysis of the empirical findings from the installationstudies at the Roskilde Festival. In particular, we highlightthe broad, rich range of performative interactions facilitatedby the interactive setup. This analysis examines theperformative writing and reading achieved by the publicthrough interaction with Ink and also with the resultantpoems. From this exploration, we discuss general tendencieswhen designing affectively engaging literary interactionsat the edge of art and design.Keywords: Affective engagement, Digital literature, Ergodic reading, Public displays, Performative interaction
AB - In this article, we present the interactive literaryinstallation Ink, an experimental installation displayed atthe Roskilde library, and the Roskilde Festival, which isdesigned to prompt public reflection on the nature and roleof digital literature. By manipulating three books embeddedwith sensors, and watching text visualized on a 55’’screen, members of the public select from a range of predefinedsentences, previously created by a Danish author,and stored in a database. Squeezing the books alters eachpoetic line by degrees. The final poems print onto a libraryreceipt for their producers and upload to a blog for publicviewing. We present (1) design challenges to an installationmeant to persuade people to engage affectively with theergodic nature of digital literature and (2) an in-depthanalysis of the empirical findings from the installationstudies at the Roskilde Festival. In particular, we highlightthe broad, rich range of performative interactions facilitatedby the interactive setup. This analysis examines theperformative writing and reading achieved by the publicthrough interaction with Ink and also with the resultantpoems. From this exploration, we discuss general tendencieswhen designing affectively engaging literary interactionsat the edge of art and design.Keywords: Affective engagement, Digital literature, Ergodic reading, Public displays, Performative interaction
KW - digital literature
KW - public displays
KW - Affective interaction design
KW - Performativity
KW - Digital Aesthetics
U2 - 10.1007/s00779-014-0767-2
DO - 10.1007/s00779-014-0767-2
M3 - Journal article
VL - 18
SP - 1551
EP - 1565
JO - Personal and Ubiquitous Computing
JF - Personal and Ubiquitous Computing
SN - 1617-4909
IS - 7
ER -