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Editorial – How To Refuse Research from The Ruins of Its Own Production

Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avis › Tidsskriftartikel › Forskning › peer review

Standard

Editorial – How To Refuse Research from The Ruins of Its Own Production. / Andersen, Christian Ulrik; Cox, Geoff.

I: A Peer-Reviewed Journal About, Bind 10, Nr. 1, 20.08.2021, s. 4-12.

Publikation: Bidrag til tidsskrift/Konferencebidrag i tidsskrift /Bidrag til avis › Tidsskriftartikel › Forskning › peer review

Harvard

Andersen, CU & Cox, G 2021, 'Editorial – How To Refuse Research from The Ruins of Its Own Production', A Peer-Reviewed Journal About, bind 10, nr. 1, s. 4-12. https://doi.org/10.7146/aprja.v10i1.128183

APA

Andersen, C. U., & Cox, G. (2021). Editorial – How To Refuse Research from The Ruins of Its Own Production. A Peer-Reviewed Journal About, 10(1), 4-12. https://doi.org/10.7146/aprja.v10i1.128183

CBE

Andersen CU, Cox G. 2021. Editorial – How To Refuse Research from The Ruins of Its Own Production. A Peer-Reviewed Journal About. 10(1):4-12. https://doi.org/10.7146/aprja.v10i1.128183

MLA

Andersen, Christian Ulrik og Geoff Cox. "Editorial – How To Refuse Research from The Ruins of Its Own Production". A Peer-Reviewed Journal About. 2021, 10(1). 4-12. https://doi.org/10.7146/aprja.v10i1.128183

Vancouver

Andersen CU, Cox G. Editorial – How To Refuse Research from The Ruins of Its Own Production. A Peer-Reviewed Journal About. 2021 aug. 20;10(1):4-12. doi: 10.7146/aprja.v10i1.128183

Author

Andersen, Christian Ulrik ; Cox, Geoff. / Editorial – How To Refuse Research from The Ruins of Its Own Production. I: A Peer-Reviewed Journal About. 2021 ; Bind 10, Nr. 1. s. 4-12.

Bibtex

@article{45741209dcb74c4fa9a69148b6c1fbf5,
title = "Editorial – How To Refuse Research from The Ruins of Its Own Production",
abstract = "Writing in 1965, Mario Tronti{\textquoteright}s claim was that the greatest power of the working class is refusal: the refusal of work, the refusal of capitalist development, and the refusal to bargain within a capitalist framework. One can see how this {"}strategy of refusal{"} has been utilised in all sorts of instances by social movements, but how does this play out now in the context of wider struggles over autonomy today – not just in terms of labour power and class struggles; but also intersectional feminism and queer politics; race and decolonialism, geopolitics, populism, environmental concerns; and the current pandemic? In what ways does a refusal of production manifest itself in contemporary artistic, political, social, cultural, or other movements? And, how might a refusal of certain forms of production come together with a politics of care and {"}social closeness{"} – also when thinking of how research itself might be refused?",
author = "Andersen, {Christian Ulrik} and Geoff Cox",
year = "2021",
month = aug,
day = "20",
doi = "10.7146/aprja.v10i1.128183",
language = "English",
volume = "10",
pages = "4--12",
journal = "A Peer-Reviewed Journal About",
issn = "2245-7755",
publisher = "Digital Aesthetics Research Centre / Center for Digital {\AE}stetikforskning",
number = "1",

}

RIS

TY - JOUR

T1 - Editorial – How To Refuse Research from The Ruins of Its Own Production

AU - Andersen, Christian Ulrik

AU - Cox, Geoff

PY - 2021/8/20

Y1 - 2021/8/20

N2 - Writing in 1965, Mario Tronti’s claim was that the greatest power of the working class is refusal: the refusal of work, the refusal of capitalist development, and the refusal to bargain within a capitalist framework. One can see how this "strategy of refusal" has been utilised in all sorts of instances by social movements, but how does this play out now in the context of wider struggles over autonomy today – not just in terms of labour power and class struggles; but also intersectional feminism and queer politics; race and decolonialism, geopolitics, populism, environmental concerns; and the current pandemic? In what ways does a refusal of production manifest itself in contemporary artistic, political, social, cultural, or other movements? And, how might a refusal of certain forms of production come together with a politics of care and "social closeness" – also when thinking of how research itself might be refused?

AB - Writing in 1965, Mario Tronti’s claim was that the greatest power of the working class is refusal: the refusal of work, the refusal of capitalist development, and the refusal to bargain within a capitalist framework. One can see how this "strategy of refusal" has been utilised in all sorts of instances by social movements, but how does this play out now in the context of wider struggles over autonomy today – not just in terms of labour power and class struggles; but also intersectional feminism and queer politics; race and decolonialism, geopolitics, populism, environmental concerns; and the current pandemic? In what ways does a refusal of production manifest itself in contemporary artistic, political, social, cultural, or other movements? And, how might a refusal of certain forms of production come together with a politics of care and "social closeness" – also when thinking of how research itself might be refused?

U2 - 10.7146/aprja.v10i1.128183

DO - 10.7146/aprja.v10i1.128183

M3 - Journal article

VL - 10

SP - 4

EP - 12

JO - A Peer-Reviewed Journal About

JF - A Peer-Reviewed Journal About

SN - 2245-7755

IS - 1

ER -