Colouring flowers: Books, art, and experiment in the household of Margery and Henry Power

TY - JOUR

T1 - Colouring flowers

T2 - Books, art, and experiment in the household of Margery and Henry Power

AU - Eriksen, Christoffer Basse

AU - Wen, Xinyi

N1 - Publisher Copyright: Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of British Society for the History of Science.

PY - 2023/3/1

Y1 - 2023/3/1

N2 - This article examines the early modern household's importance for producing experimental knowledge through an examination of the Halifax household of Margery and Henry Power. While Henry Power has been studied as a natural philosopher within the male-dominated intellectual circles of Cambridge and London, the epistemic labour of his wife, Margery Power, has hitherto been overlooked. From the 1650s, this couple worked in tandem to enhance their understanding of the vegetable world through various paper technologies, from books, paper slips and recipe notebooks to Margery's drawing album and Henry's published Experimental Philosophy. Focusing on Margery's practice of hand-colouring flower books, her copied and original drawings of flowers and her experimental production of ink, we argue that Margery's sensibility towards colour was crucial to Henry's microscopic observations of plants. Even if Margery's sophisticated knowledge of plants never left the household, we argue that her contribution was nevertheless crucial to the observation and representation of plants within the community of experimental philosophy. In this way, our article highlights the importance of female artists within the history of scientific observation, the use of books and paperwork in the botanical disciplines, and the relationship between household science and experimental philosophy.

AB - This article examines the early modern household's importance for producing experimental knowledge through an examination of the Halifax household of Margery and Henry Power. While Henry Power has been studied as a natural philosopher within the male-dominated intellectual circles of Cambridge and London, the epistemic labour of his wife, Margery Power, has hitherto been overlooked. From the 1650s, this couple worked in tandem to enhance their understanding of the vegetable world through various paper technologies, from books, paper slips and recipe notebooks to Margery's drawing album and Henry's published Experimental Philosophy. Focusing on Margery's practice of hand-colouring flower books, her copied and original drawings of flowers and her experimental production of ink, we argue that Margery's sensibility towards colour was crucial to Henry's microscopic observations of plants. Even if Margery's sophisticated knowledge of plants never left the household, we argue that her contribution was nevertheless crucial to the observation and representation of plants within the community of experimental philosophy. In this way, our article highlights the importance of female artists within the history of scientific observation, the use of books and paperwork in the botanical disciplines, and the relationship between household science and experimental philosophy.

UR - http://www.scopus.com/inward/record.url?scp=85151542336&partnerID=8YFLogxK

U2 - 10.1017/S0007087422000474

DO - 10.1017/S0007087422000474

M3 - Journal article

C2 - 36636807

AN - SCOPUS:85151542336

SN - 0007-0874

VL - 56

SP - 21

EP - 43

JO - British Journal for the History of Science

JF - British Journal for the History of Science

IS - 1

ER -