Begær og modstand: Katie Mitchells iscenesættelse af Frøken Julie og Alfabet

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Abstract

This article explores Katie Mitchell’s 2010 staging of Miss Julie at Schaubühne, where she employs live cinema and integrates Inger Christensen’s Alphabet to deconstruct Strindberg’s patriarchal structures. By shifting the focus to Kristine, Mitchell creates a feminist counter-narrative, merging naturalism with postdramatic techniques. The analysis highlights how Mitchell’s hybrid form challenges traditional hierarchies of text and stage, offering a critical dialogue between theatre, literature, and film.
OriginalsprogDansk
TidsskriftPassage
Vol/bind39
Nummer93
Sider (fra-til)55-69
Antal sider14
ISSN0901-8883
DOI
StatusUdgivet - 22 sep. 2025

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