Analyzing the aesthetics of participation of media architecture

Jonas Fritsch; Erik Grönvall; Morten Breinbjerg

doi:10.1145/2946803.2946807

Analyzing the aesthetics of participation of media architecture

Jonas Fritsch, Erik Grönvall, Morten Breinbjerg

Publikation: Bidrag til bog/antologi/rapport/proceeding › Konferencebidrag i proceedings › Forskning › peer review

5 Citationer (Scopus)

Abstract

This paper presents a theoretical framework for analyzing the aesthetics of participation of media architecture. The framework is based on a close reading of French philosopher Jacques Rancière and provides four points of emphasis: modes of sense perception, forms of engagement, community and emancipation. The framework is put to use in the analysis of three experimental media architectural projects; Ekkomaten/Echoes from Møllevangen, the coMotion Bench and FeltRadio. We discuss the findings from this analysis and outline future perspectives on how to develop and use the framework prospectively in the design of media architectural projects and other interactive environments.

Originalsprog	Dansk
Titel	Proceedings of the 3rd Media Architecture Biennale Conference, MAB 2016 : Media Architecture Biennale 2016
Antal sider	10
Udgivelsessted	New York
Forlag	Association for Computing Machinery
Publikationsdato	2016
Artikelnummer	4
ISBN (Elektronisk)	978-1-4503-4749
DOI	https://doi.org/10.1145/2946803.2946807
Status	Udgivet - 2016
Begivenhed	Media Architecture Biennale 2016 - Sydney, Australien Varighed: 1 jun. 2016 → 4 jun. 2016 Konferencens nummer: 3

Konference

Konference	Media Architecture Biennale 2016
Nummer	3
Land/Område	Australien
By	Sydney
Periode	01/06/2016 → 04/06/2016

Adgang til dokumentet

10.1145/2946803.2946807

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Link to publication in Scopus

Citationsformater

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title = "Analyzing the aesthetics of participation of media architecture",

abstract = "This paper presents a theoretical framework for analyzing the aesthetics of participation of media architecture. The framework is based on a close reading of French philosopher Jacques Ranci{\`e}re and provides four points of emphasis: modes of sense perception, forms of engagement, community and emancipation. The framework is put to use in the analysis of three experimental media architectural projects; Ekkomaten/Echoes from M{\o}llevangen, the coMotion Bench and FeltRadio. We discuss the findings from this analysis and outline future perspectives on how to develop and use the framework prospectively in the design of media architectural projects and other interactive environments.",

keywords = "Aesthetics of participation, Experience philosophy, Media architecture, Politics of sensation",

author = "Jonas Fritsch and Erik Gr{\"o}nvall and Morten Breinbjerg",

year = "2016",

doi = "10.1145/2946803.2946807",

language = "Dansk",

booktitle = "Proceedings of the 3rd Media Architecture Biennale Conference, MAB 2016",

publisher = "Association for Computing Machinery",

address = "USA",

note = "Media Architecture Biennale 2016 ; Conference date: 01-06-2016 Through 04-06-2016",

}

Fritsch, J, Grönvall, E & Breinbjerg, M 2016, Analyzing the aesthetics of participation of media architecture. i Proceedings of the 3rd Media Architecture Biennale Conference, MAB 2016: Media Architecture Biennale 2016 ., 4, Association for Computing Machinery, New York, Media Architecture Biennale 2016, Sydney, Australien, 01/06/2016. https://doi.org/10.1145/2946803.2946807

Analyzing the aesthetics of participation of media architecture. / Fritsch, Jonas; Grönvall, Erik; Breinbjerg, Morten.
Proceedings of the 3rd Media Architecture Biennale Conference, MAB 2016: Media Architecture Biennale 2016 . New York: Association for Computing Machinery, 2016. 4.

Publikation: Bidrag til bog/antologi/rapport/proceeding › Konferencebidrag i proceedings › Forskning › peer review

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AB - This paper presents a theoretical framework for analyzing the aesthetics of participation of media architecture. The framework is based on a close reading of French philosopher Jacques Rancière and provides four points of emphasis: modes of sense perception, forms of engagement, community and emancipation. The framework is put to use in the analysis of three experimental media architectural projects; Ekkomaten/Echoes from Møllevangen, the coMotion Bench and FeltRadio. We discuss the findings from this analysis and outline future perspectives on how to develop and use the framework prospectively in the design of media architectural projects and other interactive environments.

KW - Aesthetics of participation

KW - Experience philosophy

KW - Media architecture

KW - Politics of sensation

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