The article asks how political agency play out in contempo- rary uses of the interface. It, firstly, stipulates that the inter- face is a ‘spectacle’, belonging to a longer history of media spectacles, mass organization, politics and aesthetics. Sec- ondly, that contemporary interfaces are metainterfaces, de- pending on a new organization of the masses characterized by mass profiling. Finally, it analyses how this play out in exam- ples from art and cultural practices, and speculates on what political protest and revolution is in light of the interface.
