Structural Completeness in The War is Over

Publication: Research - peer-reviewJournal article

  • Department of Information and Media Studies

This article argues that Nina Mimica's The War is Over achieves structural completeness on the basis of a number of choices regarding its visual style: shot scale, shot length, editing style and camera movement.  ar
Udgivelsesdato: Autumn

Original languageEnglish
JournalShort Film Studies
Volume1
Issue number1
Pages (from-to)37-41
Number of pages5
ISSN2042-7824
StatePublished - 2010

    Keywords

  • short film, story design, camera movement, visual style, editing, intensified continuity, intensified discontinuity, expressive scheme

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ID: 20550994