Information dynamics of boundary perception: Entropy in self-paced music listening

Research output: Research - peer-reviewPaper

  • Haley Kragness
    Haley KragnessPsychology, Neuroscience and Behaviour, McMaster University, Hamilton, OntarioCanada
  • Niels Christian Hansen
  • Peter Vuust
  • Laurel Trainor
    Laurel TrainorPsychology, Neuroscience and Behaviour, McMaster University, Hamilton, OntarioCanada
  • Marcus Pearce
    Marcus PearceCentre for Digital Music and Centre for Research in Psychology, Queen Mary, University of LondonUniv London, University of London, Sch Elect Engn & Comp SciUnited Kingdom
It has long been noted that expert musicians lengthen notes at phrase boundaries in expressive performance. Recently, we have extended research on this phenomenon by showing that undergraduates with no formal musical training and children as young as 3 years lengthen phrase boundaries during self-paced listening to chord sequences in a lab setting (the musical dwell-time effect). However, the origin of the musical dwell-time effect is still unknown. Recent work has demonstrated that musicians and non-musicians are sensitive to entropy in musical sequences, experiencing high-entropy contexts as more uncertain than low-entropy contexts. Because phrase boundaries tend to afford high-entropy continuations, thus generating uncertain expectations in the listener, one possibility is that boundary perception is directly related to entropy. In other words, it may be hypothesized that entropy underlies the musical dwell-time effect rather than boundary status per se. The current experiment thus investigates the contributions of boundary status and predictive uncertainty to the musical dwell time effect by controlling these usually highly-correlated factors independently. In this procedure, participants selfpace through short melodies (derived from a corpus of Bach chorales) using a computer key to control the onset of each successive note with the explicit goal of optimizing their memorization of the music. Each melody contains a target note that (1) is phrase ending or beginning and (2) has high or low entropy (as estimated by the Information Dynamics of Music Model, IDyOM, trained on a large corpus of hymns and folksongs). Data collection is ongoing. The main analysis will examine whether longer dwelling is associated with boundary status or entropy. Results from this study will extend recent work on predictive uncertainty to the timing domain, as well as potentially answer key questions relating to boundary perception in musical listening.
Original languageEnglish
Publication year9 Jul 2016
StatePublished - 9 Jul 2016
Event14th International Conference on Music Perception and Cognition - Hyatt Regency Hotel, San Francisco, United States
Duration: 5 Jul 20169 Jul 2016
http://www.icmpc.org/icmpc14/index.html

Conference

Conference14th International Conference on Music Perception and Cognition
LocationHyatt Regency Hotel
CountryUnited States
CitySan Francisco
Period05/07/201609/07/2016
Internet address

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