Talented students must be developed all the way from PhD to professorship.
No more silo mentality in an ivory tower. The university needs to share its knowledge with the community.
Start or finish your degree programme at Aarhus University.
Find your way around Aarhus University’s locations in Aarhus. Search by building numbers or addresses and see where the different units are located.
Jens Chr. Skous Vej 5
building 1463, room 626
8000 Aarhus C
Direct phone: 87162376
Associate Professor of Global Studies
& Framing the Global Fellow at Indiana University Bloomington
I obtained my PhD in anthropology from the London School of Economics (LSE). My work analyses the history and present of the flows of ideas, people and goods which inform society and culture in India and beyond. In particular, I have researched and written on the topics of modernity, agency, politics, gender, and art and society. As a result of my past and current projects, my profile has been enriched by a plurality of fieldwork experiences within India and other countries. It is the ability to move across very diverse field sites within India and globally, that of reflecting upon the methodological practices these fields engender vis-à-vis the engagement with the different bodies of theory mobilized by them which best define my identity as a scholar. Where I hold a global approach to the major transformations currently affecting India, my intellectual background is itself global as it draws on the experience of a number of academic contexts, and, since the onset of my career, on my active role in knowledge exchange and dissemination.
Project: 'Modern and contemporary Indian art and the global: Culture, capital, and the development of post-colonial taste'
This is a large-scale project on global presences of contemporary art from India which centres on major contemporary art-related events. These events are:
- the exhibition ‘The Empire strikes back: Indian art today’ held in London in 2010
- the history of India at the Venice Art Biennale since 1954
- the Mumbai Pavilion at the 2012 Shanghai Art Biennale
- the Kochi-Muziris Biennale – India (2012-13, 2014-15)
- the exhibition 'After midnight: Indian modernism to contemporary India, 1947/1997' at the Queens Museum, New York in 2015
Read more about this research:
Project: 'India and China: Art worlds and markets in globalising Asia'
Project: 'Understanding the globalization of the art world in India and beyond: An investigation of cultural production, economic growth and society in the 21st century'
Gender and politics
Global art world
Art, economic growth and society
Art and metropolis
Anthropology of the global
Art and global South
Methodologies for global research
Politics of knowledge production
Forthcoming. Political agency and gender in India. Women, Dalits and subalterns between the nation and its ‘others’. London, New York: Routledge (under contract)
2014.‘Art institutions as global forms in India and beyond: Cultural production, temporality and place’ In H. Kahn (ed.) Framing the global. Bloomington, IN: Indiana University Press, pp. 51-66
2014. ‘Dalit women between social and analytical alterity. Rethinking the ‘quintessentially marginal’ In L. Fernandes (ed.) Handbook of gender in South Asia. London, New York: Routledge, pp. 305-317
2013. ‘Thinking art in India: A semi-virtual lab’, (with G. Scaria), In Raqs Media Collective and S. Sarda(eds.) SARAI Reader 09:‘Projections’, pp. 267-273
2012. 'Post-colonial renaissance: ‘Indianness’, contemporary art and the market in the age of neoliberal capital', Third World Quarterly 33, 4: 633-651
2012. 'Resurrecting seva (social service): Dalit and low-caste women party activists as producers and consumers of political culture and practice in urban north India', The Journal of Asian Studies 71, 1: 149-170
2011. 'After subversion: Intimate encounters, the agency in and of representation, and the unfinished project of gender without sexuality in India’, Cultural Dynamics, 23: 2, 107-126
2011. ‘Remaking traditional sociality, ephemeral friendships and enduring political alliances: 'State-made' Dalit youth in rural northern Indian society’, Focaal – Journal of Global and Historical Anthropology, 59: 19-32
2010. Retro-modern India. Forging the low-caste self. New Delhi, London: Routledge
2010. ‘The bourgeois woman and the half-naked one’: Or the Indian nation's contradictions personified', Modern Asian Studies 4: 785–815
2010. ‘Futurity in words: Low-caste women politicians’ self-representation and post-Dalit scenarios in north India’ Contemporary South Asia, 18, 1: 43–56
2009. 'The conditions of politics: Low-caste women and political agency in a northern Indian city', Feminist Review, 91: 113-134
2008. 'Islam: What is in a name?' In M. Banerjee (ed.) Muslim portraits. Everyday lives in India. New Delhi: Yoda Press/Bloomington, Ind.: Indiana University Press, pp. 1-10
2007. ‘Ethnohistories behind local and global bazaars: Chronicle of a Chamar weaving community and its disappearance in the Banaras region’, Contributions to Indian Sociology (n.s.) 41, 3: 319–52
2006. ‘At the margins of feminist politics? Everyday lives of women activists in northern India’, Contemporary South Asia, Vol. 15 (4) 437-452
2006. “In the past we were a bit ‘Chamar’”: Education as a self- and community engineering process in northern India', Journal of the Royal Anthropological Institute (N.S.) 12, 899-916
Publication: Research - peer-review › Book chapter
Publication: Research › Book chapter
Publication: Research - peer-review › Book chapter
Activity: Ongoing editorial work › Peer review of manuscripts
Activity: Participation in conference/workshop/course/seminar › Organisation of or participation in conference
Activity: Participation in conference/workshop/course/seminar › Participation in workshop, seminar, course