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Drama, Anthropology and Ethnography, Attitudes and Politics, Australia and Oceania, Concept of Culture, Contemporary Denmark, Contemporary Europe, Contemporary World, Culture and Society, Democracy and Citizens, English, Europe, Faith, Historical Method, Language Philosophy (language, signs and images), Language Use (text and conversation), Language, Thought and Society (psycho/sociolinguistics), Linguistics (grammar etc), Literature, Modern History, Europe, Modern History, World, Music, North America, Polar Regions, Religion, Research Methods, Rhetoric, Scandinavian Countries, State, Region and Municipality, The Bible, The Church, Theory and Analysis of Culture, Theory and History of Aesthetics, Theory and History of Art, Thinkers
Dramatic art (Traditions in mise en scenes), Dramaturgy (Applied dramaturgy in mise en scenes), Globalisation (Worldart: Theatrical and performative actions in perspective of globalisation), Philosophy of education and history of the concept of education (Arts in education and formation)
Baltic states (contemporary theatre performances, The theatre as a tools of historiography), Cultural history, Denmark (Contemporary Danish History of Theatre), Drama analysis (Postwar drama), Dramatic art (Danish traditions of directing, Theatre Directing in the Postwar Period), Dramaturgy (Applied dramaturgy in mise en scenes), East European and East Asian Languages (Russian, Chinese, Japaneseetc), France (French drama and theatre, Mise en scene as incorporated in French drama), French, Modern aesthetic theory, Modern drama (Contemporary European Drama (1995-2005)), Performance (Performance in a theatrical use of the space), Renaissance, Europe, Russia (Russian art of acting, Russian directing (mise en scene) in the theatre, Russian scenography and stage design, Russian Theatre Pedagogics, Stanislavsky's writings, The heritage from Stanislavsky), Russian, Theatre analysis (Odin Teatret, Performance analysis, Terminology of the art of acting, the professional language of the director, The staging of classics, The verbalisation of the mise en scene, Theatre conventions, Theatre historiography, Theatre history, Theatricality), Theory and History of Aesthetics
Communication theory (systems theory), Dramatic art, Dramaturgy (Applied dramaturgy, dramaturgical models, Interactive dramaturgy), Narrativity/storytelling (Narrativity vs interactivity), Performance, Philosophy of education and history of the concept of education, The aesthetic in the modern world
China, Classical drama, Comparative methods, Dramatic art, Dramaturgy, Historiography, History of historical understanding, History of mentalities, Modern drama, Performance, Theatre analysis (Asian theatre conventions, Kierkegaard and the theatre, Odin Teatret, Theatre conventions, Theatre history)